Otto Pankok collection

• United States Holocaust Memorial Museum
• irn8526
• English
• 1948
• overall: Height: 19.000 inches (48.26 cm) | Width: 25.125 inches (63.818 cm) pictorial area: Height: 11.375 inches (28.893 cm) | Width: 12.125 inches (30.798 cm)
• Updated 7 months ago

Woodcut portrait of a Sinti man, Papelon, created by Otto Pankok, a German artist persecuted by the Nazi regime. In the 1920s, he was part of the avant garde Junge Rheinland group with Otto Dix, Gert Wollheim, Karl Schwesig, and Adolf Uzarski. Around 1930, Pankok became fascinated by the itinerant life led by Roma and Sinti, and exhibited his first series of portraits in 1932 at the Dusseldorf Kunsthalle. Under the Nazi regime which came to power in 1933, art and culture had to serve to promote national socialist ideology. Modern art was denounced as a tool of the international Jewish consp...

• United States Holocaust Memorial Museum
• irn8527
• English
• 1960
• overall: Height: 19.000 inches (48.26 cm) | Width: 25.125 inches (63.818 cm) pictorial area: Height: 11.375 inches (28.893 cm) | Width: 14.000 inches (35.56 cm)
• Updated 7 months ago

Woodcut portrait of a Sinti woman in a striped dress, Kitzla, created by Otto Pankok, a German artist persecuted by the Nazi regime. In the 1920s, he was part of the avant garde Junge Rheinland group with Otto Dix, Gert Wollheim, Karl Schwesig, and Adolf Uzarski. Around 1930, Pankok became fascinated by the itinerant life led by Roma and Sinti, and exhibited his first series of portraits in 1932 at the Dusseldorf Kunsthalle. Under the Nazi regime which came to power in 1933, art and culture had to serve to promote national socialist ideology. Modern art was denounced as a tool of the intern...

• United States Holocaust Memorial Museum
• irn8528
• English
• 1960
• overall: Height: 19.000 inches (48.26 cm) | Width: 25.250 inches (64.135 cm) pictorial area: Height: 11.125 inches (28.258 cm) | Width: 16.625 inches (42.228 cm)
• Updated 7 months ago

Woodcut portrait of a freckled Sinti woman, Raklo, created by Otto Pankok, a German artist persecuted by the Nazi regime. In the 1920s, he was part of the avant garde Junge Rheinland group with Otto Dix, Gert Wollheim, Karl Schwesig, and Adolf Uzarski. Around 1930, Pankok became fascinated by the itinerant life led by Roma and Sinti, and exhibited his first series of portraits in 1932 at the Dusseldorf Kunsthalle. Under the Nazi regime which came to power in 1933, art and culture had to serve to promote national socialist ideology. Modern art was denounced as a tool of the international Jew...

• United States Holocaust Memorial Museum
• irn8529
• English
• 1960
• overall: Height: 38.250 inches (97.155 cm) | Width: 25.250 inches (64.135 cm) pictorial area: Height: 21.625 inches (54.928 cm) | Width: 16.000 inches (40.64 cm)
• Updated 7 months ago

Woodcut portrait of a Sinti man created by Otto Pankok, a German artist persecuted by the Nazi regime. In the 1920s, he was part of the avant garde Junge Rheinland group with Otto Dix, Gert Wollheim, Karl Schwesig, and Adolf Uzarski. Around 1930, Pankok became fascinated by the itinerant life led by Roma and Sinti, and exhibited his first series of portraits in 1932 at the Dusseldorf Kunsthalle. Under the Nazi regime which came to power in 1933, art and culture had to serve to promote national socialist ideology. Modern art was denounced as a tool of the international Jewish conspiracy. In ...

• United States Holocaust Memorial Museum
• irn8530
• English
• 1960
• overall: Height: 38.000 inches (96.52 cm) | Width: 25.125 inches (63.818 cm) pictorial area: Height: 26.000 inches (66.04 cm) | Width: 19.000 inches (48.26 cm)
• Updated 7 months ago

Woodcut portrait of a Sinti woman created by Otto Pankok, a German artist persecuted by the Nazi regime. In the 1920s, he was part of the avant garde Junge Rheinland group with Otto Dix, Gert Wollheim, Karl Schwesig, and Adolf Uzarski. Around 1930, Pankok became fascinated by the itinerant life led by Roma and Sinti, and exhibited his first series of portraits in 1932 at the Dusseldorf Kunsthalle. Under the Nazi regime which came to power in 1933, art and culture had to serve to promote national socialist ideology. Modern art was denounced as a tool of the international Jewish conspiracy. I...