Archival Descriptions

Displaying items 861 to 880 of 3,431
  1. FNDIRP commemorative striped badge engraved 178284 owned by a French Jewish survivor

    1. Yvonne Rothschild Redgis and Gertrude Fraenkel (Fränkel) family collection

    FNDIRP blue and white striped pin owned by Yvonne Klug Redgis, a French resistance member who was imprisoned in France and in Auschwitz concentration camp from 1943-1945. FNDIRP (Federation Nationale des Deportes et Internes, Resistances et Patriotes) is an association formed in France after the war by those who returned from the camps and those who resisted the German occupiers to honor their service and the memory of those who did not survive. The pin is engraved with prisoner number 178284 and the stripes are reminiscent of concentration camp uniforms. France surrendered to and was occup...

  2. ATA (Air Transport Auxiliary) lapel badge owned by a Jewish member of the French resistance

    1. Yvonne Rothschild Redgis and Gertrude Fraenkel (Fränkel) family collection

    ATA (Air Transport Auxiliary) ground support staff lapel pin owned by Yvonne Klug Redgis, a French resistance member who was imprisoned in France and in Auschwitz concentration camp from 1943-1945. ATA was a multinational civilian organization of volunteer pilots that ferried British warplanes from factories to the frontlines. The pin bears the motto Unique et Ubique and features an eagle and intertwined British and French flags. France surrendered to and was occupied by Nazi Germany in June 1940. Yvonne was arrested by the Gestapo for her resistance work on September 1, 1943, in the Rivier...

  3. FFI Free French pin engraved 193476 awarded to a Jewish resistance member

    1. Yvonne Rothschild Redgis and Gertrude Fraenkel (Fränkel) family collection

    FFI (Forces Francaises de l'Interieur/ French Forces of the Interior) pin awarded to Yvonne Klug by the Committee of Liberation on July 7, 1946, for her acts of resistance against the German occupiers of France. Yvonne was imprisoned for her resistance activities in France and in Auschwitz-Birkenau concentration camp from 1943-1945. FFI was a confederation of French resistance organizations. The pin is engraved with the number 193476 and features the double barred Cross of Lorraine, a symbol of the resistance. France surrendered to and was occupied by Nazi Germany in June 1940. Yvonne was a...

  4. FNDIRP engraved commemorative medal with box awarded to a French Jewish survivor

    1. Yvonne Rothschild Redgis and Gertrude Fraenkel (Fränkel) family collection
    • United States Holocaust Memorial Museum
    • irn77698
    • English
    • a: Depth: 0.125 inches (0.318 cm) | Diameter: 1.625 inches (4.128 cm) b: Height: 2.500 inches (6.35 cm) | Width: 2.500 inches (6.35 cm) | Depth: 2.500 inches (6.35 cm)

    FNDIRP medal with an engraved relief and presentation box awarded to Yvonne Klug Redgis, to honor her experience as a survivor of Auschwitz-Birkenau concentration camp. Yvonne was a member of the French resistance imprisoned in France and Auschwitz II from 1943-1945. FNDIRP (Federation Nationale des Deportes et Internes, Resistances Deportes) is an association formed in France after the war by those who returned from the camps and those who resisted the German occupiers to honor their service and the memory of those who did not survive. The medal is engraved to Madame Klug and has a relief ...

  5. Fred Lubcher papers

    1. Fred Lubcher collection

    The collection documents the Holocaust-era experiences of Fred Lubcher, his parents Jacob and Rose Lubczer, and his brothers Herman and Bernard, including pre-war life in Vienna, Austria, his father Jacob’s arrest and death at Buchenwald in 1940, and the family’s immigration to the United States in March 1940. Included are biographical material, immigration paperwork, correspondence, German passports (Fremden Pass), photographs, report cards, and a high school magazine essay authored by Fred describing his experiences in Vienna. Biographical material includes birth and death certificates; a...

  6. Camera

    1. Fred Lubcher collection
    • United States Holocaust Memorial Museum
    • irn724605
    • English
    • a: Height: 2.750 inches (6.985 cm) | Width: 3.000 inches (7.62 cm) | Depth: 2.750 inches (6.985 cm) b: Height: 2.875 inches (7.302 cm) | Width: 3.000 inches (7.62 cm) | Depth: 3.500 inches (8.89 cm)

    Camera in case that Fred Lubcher brought with him from Vienna.

  7. Elen Chajet Murad papers

    1. Elen Chajet Murad collection

    Photographic copies and vintage image document the family's lives surrounding the Holocaust in Lithuania, Poland, and France.

  8. Small doll made from a stick by a French Jewish hidden child

    1. Elen Chajet Murad collection

    Small stick doll made by 8 year old Helene Chajet while in hiding in Arleuf, France. Helene was often lonely and had always wanted a doll, so she carved the doll out of a stick with a knife. Her foster mother gave her a scrap of cloth to dress it. Helene never named the doll but loved it and took it with her everywhere. France was occupied by Germany in June 1940. Helene was placed into hiding with Georges and Louise Dussert by her parents, Abel and Chana, after mass arrests in Paris in summer 1942. The entire village knew she was Jewish, but when the Germans searched Arleuf for partisans i...

  9. Portfolio

    1. Leo Haas collection

    Plate 1 in a folio of 12 prints by Leo Haas published in Prague in 1947. It depicts corpselike concentration camp inmates gathered for appell [roll call]: ."..long rows of white skulls, glowing as a mass seemingly less alive than cold light...." The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for six years, from 1939-1945. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, a...

  10. Portfolio

    1. Leo Haas collection

    Plate 2 in a folio of 12 prints by Leo Haas published in Prague in 1947. It depicts corpselike concentration camp inmates gathered for appell [roll call]: ."..long rows of white skulls, glowing as a mass seemingly less alive than cold light...." The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then s...

  11. Portfolio

    1. Leo Haas collection

    Plate 3 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  12. Portfolio

    1. Leo Haas collection

    Plate 4 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  13. Portfolio

    1. Leo Haas collection

    Plate 5 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  14. Portfolio

    1. Leo Haas collection

    Plate 6 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  15. Portfolio

    1. Leo Haas collection

    Plate 6 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  16. Portfolio

    1. Leo Haas collection

    Plate 8 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  17. Portfolio

    1. Leo Haas collection

    Plate 9 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fell...

  18. Portfolio

    1. Leo Haas collection

    Plate 10 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fel...

  19. Portfolio

    1. Leo Haas collection

    Plate 11 in a folio of 12 prints by Leo Haas published in Prague in 1947. The works are based on scenes experienced or witnessed by Haas, a labor and concentration camp prisoner for nearly six years. Each print has an introductory paragraph by Milos Vacik, a poet jailed for anti-Nazi resistance activity. Haas, 38, a Czech Jew and professional artist, was arrested in 1939, deported to Nisko labor camp in Poland, and then shipped back to Ostrava in German occupied Czechoslovakia to do forced labor. In September 1942, he was sent to Theresienstadt ghetto-labor camp, where he and a group of fel...