Violin, bow, and case used by a prisoner while interned in a camp run by Oskar Schindler

Identifier
irn9983
Language of Description
English
Alt. Identifiers
  • 1995.86.1 a-j
Level of Description
Item
Source
EHRI Partner

Extent and Medium

a: Height: 23.270 inches (59.106 cm) | Width: 7.990 inches (20.295 cm) | Depth: 3.500 inches (8.89 cm)

Archival History

The violin, bow, and case were donated to the United States Holocaust Memorial Museum in 1995 by Murray Pantirer, Abraham Zuckerman, and Isak Levenstein.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Abraham Zuckerman, Murray Pantirer and Isak Levenstein

Scope and Content

Violin crafted in 1890 by Guadagnini, a master Italian instrument maker in Turin. Henry Rosner bought it in Vienna in 1928. It was his constant companion for 66 years, excepting a brief separation near the end of the war. Rosner played the violin professionally in well-known cafes, hotels and resorts all over Europe until Poland fell to the Nazis in 1939. Three years later, Rosner, his wife Manci -- their young son Alexander, and Rosner's two brothers, were sent to the Płaszów forced labor camp. There, Henry and his brother Poldek, an accordianist, were required to play for the camp's commandant, Amon Goeth. In addition to entertaining at Goeth's dinner parties, the Rosners also were frequently called upon to play lullabyes for Goeth at his villa. Oskar Schindler was a frequent dinner guest at the villa, and like Goeth, enjoyed the Rosners' music tremendously. Because of this, he added the entire Rosner family to the list of 1,100 works for his Brinnlitz munitions plant. The violin never made it to the sanctuary of Schindler's factory; it was taken away from Rosner at the Gross-Rosen transit camp along the way. But the violin was destined to find its way back into Henry Rosner's hands. He told the SS guard who confiscated it that the "fiddle" -- as well as Poldek's accordian and a toy accordian of Alexander's -- belonged to Oskar Schindler. Schindler later ransomed the instruments and presented the violin to Manci Rosner on the factory floor at Brinnlitz. He told her, "This is for you. Don't cry; it's the same violin but a different tune." By that time, her husband and son were at Dachau.

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

Violin with bow and case. d-f: strings g: rosin h: cloth i: embroidered violin cover j: chin rest

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.