Courtroom drawing of the Klaus Barbie trial

Identifier
irn6322
Language of Description
English
Alt. Identifiers
  • 1992.21.48
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 15.510 inches (39.395 cm)

Creator(s)

Biographical History

David Rose was born in Malden, MA on March 10, 1910, to Jewish immigrants who had come to the United States to escape persecution under Russian czars. He described the language of his home as a "spicy Lodzer Yiddish." Rose studied in Haifa, Israel at the School of Music and Fine Arts in Boston and graduated from the Massachusetts College of Art in 1934. Mr. Rose worked with advertising agencies in Boston and New York before moving to Hollywood and working for several studios as an animator, lay-out artist, publicity artist, art director, illustrator, and designer. During World War II, Rose was a sargeant in the Army unit that created training and propaganda films. Ted Geisel (aka Dr. Seuss) was his superior officer and a life-long friend. In August 1945, Rose married Ida Claire Shapiro, they had two daughters, Marsha Rose-Shea and Lisa Rose. Rose began his courtroom career in 1973 with the trial of Daniel Ellsberg. He covered many infamous trials including Klaus Barbie, Patty Hearst, Sirhan Sirhan, members of the Manson family, and John DeLorean.

Archival History

The drawing was donated to the United States Holocaust Memorial Museum in 1992 by David Rose.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of David Rose

Scope and Content

The drawing was sketched by David Rose during the trial of Klaus Barbie in the court room of the Palace of Justice in Lyon, France.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

image of a man

recto, upper left, "49"; verso, "49"

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.