Vienna

Identifier
irn714699
Language of Description
English
Alt. Identifiers
  • 2019.545.12
  • RG-60.7052
Level of Description
Item
Languages
  • Silent
Source
EHRI Partner

Creator(s)

Biographical History

Walter Hausner (April 24, 1914-February 5, 2003) was a member of the Austrian amateur film society in Vienna. His father, Ferdinand (1883-1957) owned a firm for fabrics and fashion articles with factories in Vienna and Jihlava, Czechoslovakia with business partner Siegfried Furst. Walter’s mother, Wilhelmina Bloch, died from cancer in 1937. Walter and Ferdinand managed to leave Vienna together just before the plebiscite in March 1938 on a plane which was brought down in Berlin. The Nazis required Ferdinand to supply an inventory of his assets. His friend and fashion designer, Claire Rennai, had a visa to go to the United States and married Ferdinand to help him get out of Austria. Walter made it to England where he had planned to establish another factory for the family textile firm. He was interned as an enemy alien. Walter later served in the British Army, where he met a singer, Irene Jones (1921-2014) performing for the troops. They married and emigrated to the New York region in 1948.

Scope and Content

Title: “Neue Nachrichten No. 3” with WH logo. “Salzburg zur Festspielzeit” “Die Wasserspiele in Hellbrunn” “Mitglied des Klubs der Kino-Amateure Österreichs” CU of a young woman leaning over a railing (this shot was also used in Jonnys Gang film). “Pilger aus dem Burgenland” People standing by the doorway “Glaspalast” (possibly the Franz-Josef-Bahnhof terminus railway station in Vienna). Camera follows a man walking out of the door, passing chairs lining the building exterior. Film ends. Note: This is a roll of trims by Walter Hausner; the handmade titles do not seem to be related to the images or spliced in a particular sequence.

Subjects

Places

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.