Allach porcelain figurine collected postwar by a Jewish member of the French resistance

Identifier
irn715738
Language of Description
English
Alt. Identifiers
  • 2020.12.3
Dates
1 Jan 1941 - 31 Dec 1941
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 8.500 inches (21.59 cm) | Width: 4.625 inches (11.748 cm) | Depth: 4.875 inches (12.383 cm)

Creator(s)

Archival History

The figurine was donated to the United States Holocaust Memorial Museum in 2020 by Susana Farin Nepomechie, the daughter of David Farin, on behalf of the David and Esther Farin Estate.

Acquisition

United States Holocaust Memorial Museum collection, gift of the David and Esther Farin Estate

Scope and Content

Porcelain figure of "Gezaddelter," manufactured by slave labor at Dachau concentration camp, and collected after the war by David Farin, a Jewish member of the French resistance. The Porzellan-Manufaktur Allach (PMA) was founded in 1935 in the Munich suburb of Allach. It produced decorative porcelain pieces with the goal of developing a new echelon of German artistic taste. The factory quickly became a pet-project of SS Reichsführer (Reich leader) Heinrich Himmler, who eventually took control of 45 percent of the output and often gifted figures to various SS officials and friends. In 1937, the primary PMA factory moved to the SS Training and Education Camp, adjacent to Dachau. Beginning in 1940, Jewish prisoners from the camp were forced to work in the factory. Allach factories produced several themed series of figurines. A series of Morris dancers (Moriskentänzer) figurines was produced exclusively for the city of Munich to use as official gifts. They were copied from a series of sculptures commissioned by Munich city authorities and created by Erasmus Grasser in 1480. After production began on the Morris dancer figurines, consumer demand led to the creation of a series of jugglers inspired by the dancers that was available for purchase by the public in 1942. The Allach factory at Dachau continued to run until late April 1945. On April 29, U.S. forces liberated over 32,000 people at Dachau.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Glazed, white porcelain figurine of a man in a pointed, juggler’s hat, his body twisted almost sideways and his arms raised as though mid-motion. His stands in a slightly hunched stance with his weight back on his right leg and his left leg forward, the foot turned outward. His left arm is lifted to shoulder height in a gentle curve, his forearm downward, and his palm open to his body. His right arm is angled down, the forearm drawn forward and across his torso, his palm upward and the fingers slightly curled. His lined face is turned away and he has a focused gaze, prominent nose, and slightly parted lips turned up in a smile. He has a short, two-pointed beard at his chin, and a long mustache. He wears a pointed, triangular hat with a high, folded brim at the front. The tasseled tip hangs down at the back, while a pattern of raised balls decorates the body and brim. A scarf with trailing ends holds the hat on by wrapping from between the brim and body, below his chin, and then around his neck. He wears a thigh-length tunic decorated with tassels at the ends of elbow-length sleeves and alternating with the many points around the bottom hem. The tunic has a deep V-shaped collar and is worn over a shirt with tight, three-quarter-length sleeves. His leggings are fitted, support bells around his upper left calf, and tuck into slouched shoes with elongated, narrow toes. He stands on a low, irregular, oval-shaped base, which has a maker’s mark and fraktur-style font stamped into the hollow underside. There are several small, circular, dark stains and discoloration on the base and the figure’s back and hat.

People

Corporate Bodies

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.