Lobby card for the film “Confessions of a Nazi Spy” (1939)

Identifier
irn692913
Language of Description
English
Alt. Identifiers
  • 2018.590.1
  • 2018.595
  • 2019.236
  • 2019.239
Dates
1 Jan 1939 - 31 Dec 1939
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

Overall: Height: 11.000 inches (27.94 cm) | Width: 13.875 inches (35.243 cm)

Creator(s)

Biographical History

The Cinema Judaica Collection consists of more than 1,200 objects relating to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical subjects, from 1923 to 2000, from the United States, Europe, Israel, Canada, Mexico, and Argentina. The collection was amassed by film memorabilia collector Ken Sutak, to document Holocaust-and Jewish-themed movies of the World War II era and the postwar years. The collection includes posters, lobby and photo cards, scene stills, pressbooks, trade ads, programs, magazines, books, VHS tapes, DVDS, and 78 rpm records. Sutak organized these materials into two groups, “Cinema Judaica: The War Years, 1939–1949” and “Cinema Judaica: The Epic Cycle, 1950–1972” and, in conjunction with the Hebrew Union College-Jewish Institute of Religion Museum (now the Dr. Bernard Heller Museum in New York), organized exhibitions on these two themes in 2007 and 2008. Sutak subsequently authored companion books with the same titles.

Archival History

The lobby card was donated to the United States Holocaust Memorial Museum in 2018 by Ken Sutak and Sherri Venokur.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Ken Sutak and Sherri Venokur

Scope and Content

Lobby card, distributed by Vitagraph (a Warner Bros. subsidiary), for the American feature film “Confessions of a Nazi Spy” released by Warner Bros. Pictures in May 1939. Lobby cards are promotional materials placed in theater lobby windows to highlight specific movie scenes, rather than the broader themes often depicted on posters. The film was chosen as Best Picture of the Year by the National Board of Review in 1939. Based on articles written in the New York Post by ex-agent Leon G. Turrou, the film recounts a fictionalized version of the Federal Bureau of Investigation’s (FBI) Rumrich Nazi Spy Case (1938). The film follows FBI agent Edward Renard’s investigation of Nazi spies affiliated with the German-American Bund as they work to steal American military secrets in the late 1930s. This was the first openly anti-Nazi film released by a prominent American movie studio. It took a firm stance on political matters, and deliberately warned the public about the dangers posed by a foreign power. The German Consul General in Los Angeles tried to halt production of the film, but failed. Fearing possible retribution for their relatives in Germany or German-controlled areas, many actors turned down roles in the film. While it was being shot, the studio received more than 100 threats, and had to hire security for the set. Upon release in the US, some citizens wanted it banned, while others picketed theaters and threatened exhibitors. In Poland, antisemitic audiences hanged exhibitors in their own theaters for showing the film. In 1939, it was banned in Germany, Italy, Japan, Holland, Norway, and Sweden. In 1940, “Confessions” was re-released with added newsreel footage of Nazi occupations in Europe, and was banned in an additional 18 nations where the Nazi regime could exert influence. This object is one of more than 1,200 objects in the Cinema Judaica Collection of materials related to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical themes.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

Restrictions on use. Copyright status is unknown.

Physical Characteristics and Technical Requirements

Lobby card with a composite of photographic character portraits arranged around the movie title, printed on rectangular tan cardstock, from the film “Confessions of a Nazi Spy.” The four characters are depicted in sepia tones around the title, which is printed in large, yellow font diagonally across a black, square-shaped background. The large, central image is flanked on both sides by a tan margin and narrow, vertical blue rectangle. There is a half-inch wide tan margin around the outer edge of the card. Publication information is printed in the lower margin. The card is heavily stained and discolored on the lower half as well as on the entire back. There are also small pinholes in the corners, and a piece of tape and handwritten, penciled numbers on the back. Featuring: Edward G. Robinson as Edward Renard, Paul Lukas as Dr. Karl F. Kassell, Lya Lys as Erika Wolf, and Dorothy Tree as Hilda Kleinhauer

back, upper left corner, handwritten, pencil : 30.00 / 15 -

People

Corporate Bodies

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.