Card with 46 Dorset-style buttons owned by a Jewish Austrian refugee

Identifier
irn616387
Language of Description
English
Alt. Identifiers
  • 2018.258.8 a-e
  • 2017.480
Level of Description
Item
Languages
  • German
Source
EHRI Partner

Extent and Medium

a: Height: 7.625 inches (19.368 cm) | Width: 5.875 inches (14.923 cm) | Depth: 0.125 inches (0.318 cm)

b: Depth: 0.125 inches (0.318 cm) | Diameter: 0.750 inches (1.905 cm)

c: Depth: 0.125 inches (0.318 cm) | Diameter: 0.750 inches (1.905 cm)

d: Depth: 0.125 inches (0.318 cm) | Diameter: 0.750 inches (1.905 cm)

e: Depth: 0.125 inches (0.318 cm) | Diameter: 0.750 inches (1.905 cm)

Creator(s)

Biographical History

Herta Schwarzbart (later Stoer, 1908-2007) was born in Vienna, Austria-Hungary, to Arthur (1875-1914) and Pauline Flesch (1873-1937) Schwarzbart. Arthur was born in Terezín, Austria-Hungary, to Alexander and Rosala Schwarzbart. Arthur had five siblings. Arthur’s mother died in the late 1890s, and his father later married Josephine, who had two sons. Pauline was born in Vienna, to Abraham and Johanna Ernst Flesch. Pauline had an older sister, Hermine or Minna (later Tischler, 1869-1943), and a younger brother, Samuel or Sammy. Pauline’s mother died in 1912, and her father later remarried. He had a son before dying in 1917. In 1895, 20-year-old Arthur was corresponding with Pauline while serving in the Austro-Hungarian army in Moravia. In 1900, Arthur and Pauline married in Vienna. Herta’s aunt Minna married, had two children, and ran a candy store. Herta’s Uncle Sammy was wounded during World War I, and died of complications in the 1930s. After Herta’s oldest sister, Hilda (1901-1942), was born, Arthur, worked briefly in Germany, while Pauline worked from home, sewing for a girdle factory. Herta had three other siblings: Friedrich (Fritz, 1902-1945), Gisela (Ella, 1904-1942), and Hansi (1913-?). Pauline taught Arthur how to sew and he began designing fancy petticoats. He would take orders from wholesalers, and then both he and Pauline would fill the orders at home. Their company grew to employ 125 additional seamstresses. Herta’s family lived very comfortably, with a hired maid and vacations at a resort in the Alps. World War I began in August 1914, and as a member of the peacetime army, Arthur was called up immediately. In November, Arthur was shot while fighting on the Russian front. He developed a tetanus infection and died. The war prevented Pauline from buying material for the business, and she was forced to close. With inadequate resources at home, 6-year-old Herta, Ella, Hansi, and Fritz were placed in an orphanage in early 1915. The children attended school at the orphanage and Pauline was able to visit them there. Meanwhile, Pauline and Hilda moved into an apartment above a small storefront where they sold candy. As food shortages increased, there was no candy left to sell, so Hilda began to sell children’s clothing in their shop instead. Herta and her siblings attended school at the orphanage. Eventually, Herta began attending a school for Jewish orphan girls. The entire year revolved around Jewish holidays and Herta wrote and directed plays for the other students. After finishing school, 16-year-old Herta attended a secretarial school, where she learned English. After two more years, Herta left the orphanage to work as a governess. When she was 19, Herta’s school reached out and asked her to return as a teacher. While there, she completed a part-time course of study at a teacher’s college, and became proficient in French. Her brother Fritz married Sara Ryfka Schneider (Sidi, 1908-1969) in 1931, and had a son, Paul, in 1933. Herta’s sister Hansi became a Zionist, met and married Gyuri Loeffler in 1932, and moved to Palestine. In late 1935 or early 1936, Herta’s friend Richard Krochmalnik introduced her to Leopold Stoer (Leo, 1907-2005), an insurance mathematician preparing for his PhD in psychology. Not long after the two began dating, she lost her job at the orphanage because the new director did not like her, and began teaching at another school. She moved in with her mother and sister, Hilda, who still ran a children’s clothing store below their apartment. On June 1, 1937, Herta’s mother, Pauline, passed away. On March 13, 1938, Austria was annexed into Germany, in what became known as the "Anschluss." The Germans quickly introduced anti-Jewish legislation and confiscated Jewish-owned businesses. Aunt Minna’s candy store was looted, and Hilda was forced to give up her shop, although she still sold clothing from their apartment. The annexation prompted Leo to apply for an immigration visa to the United States. On March 27, Herta married Leopold. Herta’s family members also applied for visas, but their quota numbers were very high. Herta had married Leo after his application was submitted, so she was not included on his visa. Fritz bribed guards to allow him into Belgium, where his wife and son later joined him. Fritz kept in contact with Leopold’s family, who had been smuggled into Belgium as well. In September, Leo’s quota number came up, and he immigrated to the US. He was able to obtain an affidavit for Herta, but she still needed a passport for the visa. To acquire a passport, she had to report to the Rothschild Palace, the processing office for Jewish immigration. She waited in line at the front of the Palace all night, with hope of securing entry the following morning and before being chased away by soldiers. One day, a friend made it near the front and helped Herta get inside to collect her passport. In February 1939, she said goodbye to her sisters, and travelled to Cherbourg, France, before sailing to the US. In April 1939, Herta and Leo moved to San Francisco, California. Initially, Herta worked at a Jewish orphanage, and Leo worked as a consultant at a children’s psychological clinic. In late September 1939, they moved to Petaluma, where she and Leo secured a loan and began running a chicken farm. This seemed the fastest way to make money and prove to the American Consul in Antwerp, Belgium, that they could provide for their family members if they were allowed to immigrate. Germany invaded Belgium in May 1940, preventing Fritz, his family, and Leopold’s relatives from leaving. Following the invasion, German and Austrian refugees were treated as enemy aliens. On August 1, Herta’s brother Fritz was deported to Saint-Cyprien internment camp in France. Later, he was transferred to Drancy transit camp. Fritz’s wife, Sidi, and son, Paul, hid in the home of a Belgian school teacher’s family, and she pretended to be their maid. In July 1941, all American consulates in German-occupied territory closed, cutting off applicants like Hilda and Ella, who had secured affidavits of support, from the diplomats that could issue visas. In August, Herta and Leo’s first child was born, and they were able to share the news with their families. On May 27, 1942, Hilda and Ella were deported to Maly Trostinec concentration camp in Belorussia (now Belarus), where they were killed on June 1. On August 20, Aunt Minna was deported on transport 37, train Da 504 to Theresienstadt ghetto-labor camp in German-occupied Czechoslovakia, where she was later killed. On August 26, 1942, Fritz was deported on transport 24, train 901-19 to Auschwitz-Birkenau killing center in German-occupied Poland. Fritz was later transported to Buchenwald concentration camp in Germany, and then sent to Gross-Rosen concentration camp on February 10, 1945. Fritz died of sepsis later that month during a forced march to another camp. Herta and Leo’s second child was born in July 1943. The war ended in May 1945, and the majority of Herta and Leo’s relatives still living in Europe had perished. Fritz’s wife, Sidi, and son, Paul, had survived in hiding, and joined Herta and Leo in California in 1948. In the late 1950s, Leo and Herta sold the chicken business and returned to their pre-war career paths. Herta attended college and studied French and German, which she later taught. Leo returned to school, and interned at a mental hospital before becoming a doctor there.

Archival History

The set of buttons was donated to the United States Holocaust Memorial Museum in 2018 by Joyce Cordi, the daughter of Leopold and Herta Stoer.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Joyce Stoer Cordi

Scope and Content

Partial set of handwoven buttons brought to the United States by Herta Schwarzbart Stoer when she emigrated from Vienna, Austria, in February 1939. The buttons were likely from one of Herta’s family member’s clothing businesses: either lingerie made by her parents, Arthur and Pauline, or children’s clothing made by her sister, Hilda. Herta lived in Vienna with her parents, and four siblings: Hilda, Fritz, Ella, and Hansi. In August 1914, Arthur was selected to fight in World War I, and three months later, he died of tetanus. As a result, Pauline closed the business, Hilda began making children’s clothing, and Fritz, Ella, Herta, and Hansi were sent to an orphanage. Herta was transferred to a boarding school for Jewish orphan girls, where she later returned as a teacher. In 1932, Hansi married and moved to Palestine. In early 1936, Herta began dating Leopold (Leo) Stoer. In June 1937, Pauline passed away. On March 13, 1938, Austria was annexed into Germany. Later that month, Herta and Leo married, but continued to live separately in Vienna. Leo immigrated to the US in September 1938, followed by Herta in February 1939. In September, the couple moved to California, where they began running a chicken farm to raise money to help their families immigrate. As World War II progressed, Herta and Leo lost contact with most family members. Herta later learned that her family members had been deported to concentration camps and killed in 1942 or 1943. Only her sister-in-law, Sidi, and nephew, Paul Schwarzbart, survived in hiding. Leo’s entire family had been deported to concentration camps and killed in 1942.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

a. Forty-one circular, handmade, off-white, twisted-thread buttons sewn to a thin, flexible, rectangular backing card in eight close rows of six buttons. Each button is 3/4 inch in diameter and consists of a thin, silver-colored metal support ring covered by a treated tan cloth backer that wraps around the sides and onto the top. At the center is a woven web of crisscrossing linen thread spokes overlaid with a wide outer ring of herringbone stitched threads woven to form a thick ring around the center. The cardboard is dark blue on the front and there are bits of thread extending from seven scattered sets of holes where buttons were previously attached. Four of the detached buttons are in the collection (b-e), and three are now missing. A thin, black border surrounds the block of buttons, and above the top row is a block of manufacturing information in German and a floral design. Adhered to the back and covering the knotted threads securing the buttons, is a tan paper label with a blue floral logo printed at the top and several sections of German manufacturing information printed in red and blue ink, surrounded by a blue scrolled line border. Overall, the buttons on the card are discolored with some red staining, and two are very loose. The cardboard is worn and creased, the upper right corner is torn away, and the front surface is peeling throughout. b. Handmade, off-white, twisted-thread button previously sewn to a cardboard card (a) as part of a larger set of buttons. The button is 3/4 inch in diameter and consists of a thin, silver-colored metal support ring covered by a tan, stiffened cloth backer that wraps around the sides and onto the top. At the center is a woven web of crisscrossing, linen thread spokes overlaid with a wide outer ring of herringbone stitched threads woven to form a thick ring around the center. The threads are slightly discolored, and there are two small holes in the center of the cloth backer where the button was sewn to the card. c. Handmade, off-white, twisted-thread button previously sewn to a cardboard card (a) as part of a larger set of buttons. The button is 3/4 inch in diameter and consists of a thin, silver-colored metal support ring covered by a tan, stiffened cloth backer that wraps around the sides and onto the top. At the center is a woven web of crisscrossing, linen thread spokes overlaid with a wide outer ring of herringbone stitched threads woven to form a thick ring around the center. The threads of the arched band are loose and the cloth backer is slightly discolored with two small holes in the center where the button was sewn to the card. d. Handmade, off-white, twisted-thread button previously sewn to a cardboard card (a) as part of a larger set of buttons. The button is 3/4 inch in diameter and consists of a thin, silver-colored metal support ring covered by a tan, stiffened cloth backer that wraps around the sides and onto the top. At the center is a woven web of crisscrossing, linen thread spokes overlaid with a wide outer ring of herringbone stitched threads woven to form a thick ring around the center. The threads of the arched band are taught, while the center threads are loose and discolored. There is faint red staining on the cloth backer, along with two small holes in the center where the button was sewn to the card. e. Handmade, off-white, twisted-thread button previously sewn to a cardboard card (a) as part of a larger set of buttons. The button is 3/4 inch in diameter and consists of a thin, silver-colored metal support ring covered by a tan, stiffened cloth backer that wraps around the sides and onto the top. At the center is a woven web of crisscrossing, linen thread spokes overlaid with a wide outer ring of herringbone stitched threads woven to form a thick ring around the center. The center threads are loose and slightly discolored. There is faint staining on the cloth backer, along with two small holes in the center where the button was sewn to the card.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.