Painted porcelain Fagin with his toasting fork

Identifier
irn545049
Language of Description
English
Alt. Identifiers
  • 2016.184.613
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

overall: Height: 4.875 inches (12.383 cm) | Width: 1.875 inches (4.763 cm) | Depth: 1.250 inches (3.175 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The figurine was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Figurine of Fagin, holding his toasting fork, likely from a series marketed as Capodimonte porcelain, but produced in Germany and distributed in the United States by Ebeling & Reuss Co. Fagin, a character from Charles Dickens’ novel, “Oliver Twist,” is portrayed with a long beard, a large nose, thick eyebrows, and hooded eyes; all stereotypical physical features attributed to Jewish men. In “Oliver Twist,” Fagin is the villainous leader of a gang of children whom he has instructed in the ways of criminality. He attempts to corrupt the protagonist, Oliver, in the same manner. In the novel, Fagin is described in his first scene as hunched over a fire holding a toasting fork, imagery that reinforces the antisemitic stereotype of Jewish associations with the devil, due to its resemblance of a pitchfork. He is repeatedly referred to as “the Jew” in the book and also emphasized as a greedy, miserly, and cowardly character; all traits aligning with common antisemitic stereotypes. However, in a later edition of the novel, Dickens reduced his use of “the Jew,” substituting it for pronouns or other phrases. Even in this later version, Fagin is still repeatedly and negatively referred to as “the Jew,” and remains emblematic of multiple antisemitic canards. Later writings by Dickens portrayed Jews in a more positive light, however, the reprehensible Fagin is his most remembered Jewish character. This figurine is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Glazed and painted porcelain figurine of a man holding a large, black, toasting fork near his left shoulder. He has a light-colored complexion with rosy cheeks, hooded eyes, a large, pointed nose, and wavy brown hair with a matching mustache and forked beard. He is dressed in a floppy black hat, red vest, long gray overcoat with yellow lining, blue breeches, and black slippers. A red handkerchief with white dots hangs from his right side pocket. He is standing in a slightly crouched position and leans forward leans. Just behind him is a green post extending upward from a white pedestal with a flat face, angled sides, and a curved back. A gold-colored line is painted just below the upper edge of the pedestal, and his name is impressed on the front. A maker's mark and manufacturing information are stamped on the underside in blue and green ink. There is a small, surface loss on his left foot.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.