Pastel drawing of a congregation listening to their rabbi

Identifier
irn539279
Language of Description
English
Alt. Identifiers
  • 2016.184.295
Dates
1 Jan 1907 - 31 Dec 1907
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 13.875 inches (35.243 cm) | Width: 22.750 inches (57.785 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The drawing was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Pastel drawing of a rabbi addressing his congregation inside of a synagogue created in 1907 by Jewish Latvian artist, Abel Pann, in Paris, France. Pann was born Abba Pfeffermann in Kreslava in the Empire of Russia, to Jewish parents. He studied art in the Russian cities of Vitebsk, Vilna, and Odessa before moving to Paris, for many years. During the latter part of World War I (WWI, 1914-1918), he lived in the United States, and settled in Jerusalem, Mandatory Palestine, in 1920. Much of Pann’s work depicted atrocities inflicted upon Eastern European Jews during his lifetime. He created artwork that documented the Kishinev Pogrom, the destruction of Jewish towns in WWI, and the Holocaust. Pann also drew illustrations, portrait sketches, and caricatures. This drawing shows the fine line between antisemitic caricature and self-deprecating, Jewish humor. The rabbi and his audience all have beards and sidelocks, as well as large noses. Members of the congregation are all wearing black suit-style jackets, likely bekishe, with black hats. The rabbi is wearing a tallit and a kippah. Non-Jewish individuals stereotypically attribute all of these physical features and articles of clothing as ways to identify Jewish men while mocking them. Pann takes the stereotypes and twists them into a comedic and ironic mockery of himself and fellow Jews. The drawing is one of more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Drawing in pastel on paper depicting a rabbi speaking to his congregation. The rabbi is on the right, standing behind a raised pulpit and gesturing with outstretched hands. He has dark curled sidelocks, bushy eyebrows, a large nose, and a long gray beard, and wears a black kippah, a white tallit with 2 black stripes, and a black jacket. To the left is a room full of male congregants, leaning forward and listening with somber facial expressions. They wear dark hats and jackets and have beards. The figures on the left side are detailed and the figures on the right and in the background are indistinct. There is a Y shaped post in the background. The walls are light brown, shaded with blended blue, white, and brown. There is a rectangular sign with Hebrew characters on the wall behind the rabbi. The artist’s signature is in the lower left corner. The paper is glued to the back of a window pane carboard mat.

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.