Oil painting of two Jewish clothes peddlers

Identifier
irn538879
Language of Description
English
Alt. Identifiers
  • 2016.184.250
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 16.750 inches (42.545 cm) | Width: 13.375 inches (33.973 cm) | Depth: 1.875 inches (4.763 cm)

pictorial area: Height: 12.125 inches (30.798 cm) | Width: 8.875 inches (22.543 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The painting was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

French oil painting depicting two clothes peddlers walking down a city street, painted around 1800. Peddlers were itinerant vendors who sold goods to the public. They usually traveled alone and carried their goods with them as they went. For example, clothes peddlers dealt specifically in garments. They bought used clothes, cleaned and repaired them, and then sold them for a profit. Peddling was a common occupation for young Jewish men during the 18th and 19th centuries. Most peddlers hoped their hard work would serve as a springboard to more lucrative and comfortable occupations. However, old prejudices formed an antisemitic stereotype of the Jewish peddler. The stereotype originated from the economic and professional restrictions placed on early European Jews. They were barred from owning land, farming, joining trade guilds, and military service. These restrictions limited Jews to the occupations of retail peddling, hawking, and moneylending. Additionally, medieval religious belief held that charging interest (known as usury) was sinful, and the Jews who occupied these professions were looked down upon, predominantly by European Christians. They were perceived as morally deficient and willing to engage in unethical business practices. The inability of Jews to legally hold other occupations, combined with Christians’ disdain for the professions Jews were allowed to practice, helped form the canard of the greedy Jew who exploited Gentiles. This canard was often visually depicted as a Jewish peddler, an untrustworthy figure that sold cut-rate items at inflated prices. The painting is one of more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Painting in oil on canvas depicting two clothes peddlers walking on a city street. The man on the right is carrying a large black bag in one hand, with colorful clothing draped over his other arm. He has curly brown hair, curled sidelocks, thick eyebrows, brown eyes, and a large nose. He wears a black hat, brown coat, light brown vest, red cravat, yellow pants, and black shoes. The man on the left is elderly and is looking down with a tired facial expression. He is holding a bundle of clothing and a pair of black boots. He has gray hair and a large nose and wears a black hat, green coat, gray stockings, and light brown and red shoes. The street is lined with tall buildings, with indistinct figures and a wagon on the street. In the background is a tall building with 3 towers and a large bell in the center. The sky is light blue with gray and white clouds. The painting is in a gilt wooden frame with an embossed floral design.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.