Cartoon of a jockey eyeing his watch bought from a Jewish peddler

Identifier
irn538278
Language of Description
English
Alt. Identifiers
  • 2016.184.166
Dates
1 Jan 1828 - 31 Dec 1828
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

overall: Height: 10.125 inches (25.718 cm) | Width: 7.625 inches (19.368 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The aquatint was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

British antisemitic cartoon published in 1828, showing a man inspecting a watch he just bought from a Jewish peddler. The cartoon was drawn by Joseph Lisle, a British caricaturist, satirical artist and printmaker. Peddlers were itinerant vendors who sold goods to the public. They usually traveled alone and carried their goods with them as they went. Peddling was a common occupation for young Jewish men during the 18th and 19th centuries. Most peddlers hoped their hard work would serve as a springboard to more lucrative and comfortable occupations. However, old prejudices formed an antisemitic stereotype of the Jewish peddler. The stereotype originated from the economic and professional restrictions placed on early European Jews. They were barred from owning land, farming, joining trade guilds, and military service. These restrictions limited Jews to the occupations of retail peddling, hawking, and moneylending. Additionally, medieval religious belief held that charging interest (known as usury) was sinful, and the Jews who occupied these professions were looked down upon, predominantly by European Christians. They were perceived as morally deficient and willing to engage in unethical business practices. The inability of Jews to legally hold other occupations, combined with Christians’ disdain for the professions Jews were allowed to practice, helped form the canard of the greedy Jew who exploited Gentiles. This canard was often visually depicted as a Jewish peddler, an untrustworthy figure that sold cut rate items at inflated prices. This aquatint is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Color aquatint of an oversized man in the foreground with chubby cheeks and a broad nose dressed as a jockey with a black derby, loose shirt, pale red breeches, and riding boots. He stands on a dirt road with a whip on the ground at his heels and part of a horse visible behind him. He holds up to his eyes and looks at a pocket watch that he likely purchased from a peddler in the middleground who walks past a milestone block in left profile. He carries a large bag, has stereotypical Jewish features, including a large nose and pointy beard, and smirks while thumbing his nose. In the background are dark clouds and, on the right, a small barn. A caption is printed in a panel at the bottom.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.