Ceramic tile with an impression of a miserly Jew holding a money bag

Identifier
irn537336
Language of Description
English
Alt. Identifiers
  • 2016.184.98
Level of Description
Item
Languages
  • Latin
  • English
Source
EHRI Partner

Extent and Medium

overall: Height: 6.000 inches (15.24 cm) | Width: 6.000 inches (15.24 cm) | Depth: 0.750 inches (1.905 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The tile was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Ceramic tile with antisemitic, Latin text and an image of a stern looking Jewish man holding a money pouch. The man is wearing a skull cap and has a large nose, and a long beard; all stereotypical physical features commonly attributed to Jewish men. The image of the man, coupled with the Latin text that translates to “never enough,” references the antisemitic myth of Jewish greed and avarice. Many antisemitic depictions of Jews show them hoarding, counting, or handling money. These stereotypes originated from the economic and professional restrictions placed on early European Jews. They were barred from owning land, farming, joining trade guilds, and military service. These restrictions forced many Jews into occupations such as money changing (exchanging foreign coins or currency for those used locally). Additionally, medieval religious belief held that charging interest (known as usury) was sinful, and the Jews who occupied these professions were looked down upon, predominantly by European Christians. They were perceived as morally deficient and willing to engage in unethical business practices. The inability of Jews to legally hold other occupations, combined with Christians’ disdain for the professions Jews were allowed to practice, helped form the canard of the greedy Jew who exploited Gentiles. This canard was often visually depicted as a Jewish man expressing an exaggerated desire for, or counting money. This tile is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Square-shaped, glazed, ceramic tile with a bas-relief image of a man holding a money bag beside his face. The entire image is glazed in varying tones of brown and depicts the man from the shoulders up. He wears a domed kippah over long, wavy hair and has a long beard and mustache. He has thick eyebrows over hooded eyes and a large, pointed nose. The high collar and shoulder of his jacket are visible to the right, while the money bag, clenched in his raise fist, is visible to the left. The background is darker just above his shoulders, and lightens toward the top, where Latin text is engraved in the upper left corner. There is an artist’s signature, one uppercase letter within another, in the lower right corner. The sides are flat, smooth, and white, except where some glaze has dripped from the face of the tile. The back of the tile is white and unglazed, with a linear border around six lines of manufacturing information of varying sizes pressed into the surface. Adhesive residue marks the lower left corner, and there are several chips along the lower side edges and discoloration throughout the back.

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.