Porcelain figure of Fagin counting his money by candlelight

Identifier
irn537178
Language of Description
English
Alt. Identifiers
  • 2016.184.74
Dates
1 Jan 1837 - 31 Dec 1899
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 3.000 inches (7.62 cm) | Width: 2.000 inches (5.08 cm) | Depth: 2.750 inches (6.985 cm)

Creator(s)

Biographical History

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Archival History

The figurine was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Small, porcelain figurine portraying a scene from “Oliver Twist,” where Fagin is going through his box of stolen goods. In the scene, Fagin, who is repeatedly referred to as “the Jew,” is delighted that his previous partners in crime were executed, allowing him to keep the valuables for himself. Fagin is wearing a skull cap, and is portrayed with red hair, a beard, and a large nose; all stereotypical physical features attributed to Jewish men. In “Oliver Twist,” Fagin is the villainous leader of a gang of children whom he has instructed in the ways of criminality. He attempts to corrupt the protagonist, Oliver, in the same manner. In the novel, Fagin is described in his first scene as hunched over a fire holding a toasting fork, imagery that reinforces the antisemitic stereotype of Jewish associations with the devil, due to its resemblance of a pitchfork. He is repeatedly referred to as “the Jew” in the book and also emphasized as a greedy, miserly, and cowardly character; all traits aligning with common antisemitic stereotypes. However, in a later edition of the novel, Dickens reduced his use of “the Jew,” substituting it for pronouns or other phrases. Even in this later version, Fagin is still repeatedly and negatively referred to as “the Jew,” and remains emblematic of multiple antisemitic canards. Later writings by Dickens portrayed Jews in a more positive light, however, the reprehensible Fagin is his most remembered Jewish character. This figurine is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Small, ceramic figurine shaped as a man with painted details. He wears a black skullcap and a long black coat with a red shirt and pants. There are green patches on the thighs of his pants. His features include: a large nose, light brown beard and hair, light red cheeks, and bright red lips. He is crouched on his knees, looking down at small piles of coins in each of his hands. In front of him is a small, rectangular opening in the floor with a small, open box full of coin bags sitting next to it. To the man’s left is a small candle. The figurine is kneeling on a small, oval, tan-colored base with his name engraved on the front. On the bottom of the base, a five-digit number is impressed in the center. Below is a blue maker’s mark comprised of a crown above two, crossed “Cs.” Near the edge is an illegible word in faded blue ink. There are flecks and traces of adhesive and black ink on the bottom of the base.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.