Painting by Sophia Kalski based on her childhood experiences when she hid with a group of people in a basement as soldiers searched upstairs

Identifier
irn522812
Language of Description
English
Alt. Identifiers
  • 2004.698.11
Dates
1 Jan 1985 - 31 Dec 1985
Level of Description
Item
Languages
  • Hebrew
Source
EHRI Partner

Extent and Medium

overall: Height: 23.750 inches (60.325 cm) | Width: 28.750 inches (73.025 cm) | Depth: 0.880 inches (2.235 cm)

pictorial area: Height: 17.500 inches (44.45 cm) | Width: 23.500 inches (59.69 cm)

Creator(s)

Biographical History

Sofia (Zosia) Korpoltz was born on January 7, 1933, in Trembowla, Poland (Terebovlia, Ukraine), to Nachum Natan, born in 1905 and Sidonia Sara Stern Korpoltz, born in 1910, also in Trembowla. Natan was a radio technician. The family was not particularly observant of Jewish traditions, though Sara had been raised in a Jewish observant home. After the German invasion of Poland in September 1939, Trembowla came under Soviet occupation for a year and a half. Then, in June 1941 Germany launched an attack on the Soviet Union, and the town was occupied by the Germans. In the second half of 1942, Germans forced the Jews into a ghetto. Natan Korpoltz managed to escape to Lvov, Poland (Lviv, Ukraine), while Sofia stayed in her grandfather's house in Trembowla, together with her mother. Natan found a family willing to hide Sofia, since she was blond and people would easily assume that she wasn't Jewish. However, the family soon decided that it was too dangerous and Sofia was sent back to her father to the ghetto. Natan worked as a forced laborer and they moved frequently around the ghetto, sleeping on stairs and in hallways. The Lvov ghetto was sealed in the fall of 1942. The long days when her father was at work were difficult for Sophia, as it was rarely safe enough for children to go out and play. When they did, as Sophie recalled later, they always played the same game, building bridges. And as she remembers them, the games “lacked the joy of childhood. Already then, the children didn’t know how to laugh.” Food was scarce. In early December, Sofia and her father sold all of their possessions to purchase one bowl of soup and a potato at the restaurant in the ghetto. There were frequent Aktionen, when the Germans would round up Jews for deportation to death camps. During an Aktion on January 5 and 6, 1943, Sophia hid, without her father, in a basement with strangers. They hid behind a dividing wall made of thick green bottles. Sophia could see the flashlights of the German soldiers as they searched for Jews, but they left without noticing the hidden room. The people in a nearby house refused to let the Germans inside, so the soldiers sealed the house and set it on fire. Sophia remembers watching them gather corpses for two days following this Aktion. At the end of January 1943 Sofia's father died of typhus at the Lvov ghetto hospital. Seeing her waiting there, a friend of her father’s told her to leave and to try to get back to Trembowla. At the end of March Sofia escaped through a hole in the fence of the ghetto. Friends arranged to have a non-Jewish woman help Sofia reach Trembowla. She was smuggled into the Trembowla ghetto where living conditions worsened substantially. About three months after her return, the Germans began the liquidation of the ghetto. During one of the round-ups Sofia and her mother escaped to nearby wheat field. The mother of one of Sofia’s non-Jewish classmates brought them food and water for several weeks until they were warned that it was too dangerous to stay in that area. They walked through the forest to Umniska village (Humnyska), where Sofie’s maternal grandparents, Meir Stern, b. 1882, and Rena Koppel Stern , b. 1885, had lived before the war. By 1943, they and their daughter, Bronia, had been deported and murdered in the Belzec death camp. The first few former neighbors they contacted were fearful and agreed to help them only for a few days. Anna and Wojtek Gutonski, a Catholic couple with 4 children, agreed to hide them for as long it seemed possible. Sofia and her mother hid on their farm for 8 months, often lying on their backs in a hole dug in the ground beneath the barn. The village was liberated by the Soviet Army in March 1944. Sofia and her mother eventually emigrated to Israel. Sarah died, age 83 years, in 1993. Sofia Kalski painted images depicting her wartime experiences. She died in 2012.

Archival History

The painting was donated to the United States Holocaust Memorial Museum in 2004 by Sophia Kalski.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Sophia Kalski

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Oil painting created by Sophia Kalski in 1985 about her life as a 9 year girl n the ghetto in Lwow, Poland (L’viv, Ukraine), from summer 1942 - March 1943. Based on an event from February 1943, it depicts a blond haired girl in a blue dress sitting with a group of people in an underground room as men dressed in green uniforms walk across the floor above. There is a long, suspended, streak of red paint dripping not the bunker. In Sophia’s words: "Feb. 1943. Aktion in the Lwow ghetto. We are in the bunker." In early 1942, Sophia and her parents, Natan and Sarah, were imprisoned in the Jewish ghetto in Trembowla, Poland (Terebovlia, Ukraine), by the occupying Germans. Natan escaped to Lwow, and Sophia was sent to live with him. In January 1943, Natan, died of typhus. Ten year old Sophia was on her own in the ghetto until March when she was able to escape and get back to Trembowla. That summer, the Germans began to destroy the ghetto, killing or deporting its Jewish residents. Sophia and her mother escaped to Humniska, where a Gentile couple, Anna and Voitek Gutonski, hid them in an underground burrow until the Soviet army liberated the area in March 1944.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Oil painting on canvas depicting a young blonde girl in a blue dress seated with several faceless men, women and children in a basement while 3 men in green pants walk across the floor above. The upstairs has a yellow walled interior and the 3 soldiers are visible from the knees down. On the left is a cradle over a trap door. Below the trapdoor is a brown ladder. There is a long red slash of paint hanging at the top, left of center. The artist’s signature and the date are inscribed in yellow paint in the lower right. It is in a dark brown wooden frame with decorated layers: on the inside, white paint, then burlap patterned contact paper, then gold trim

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.