Hohner Imperial IIA accordion and case carried by Hilde Anker on a Kindertransport

Identifier
irn521020
Language of Description
English
Alt. Identifiers
  • 2003.352.1 a-b
Dates
1 Jan 1938 - 31 Dec 1939
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

a: Height: 6.500 inches (16.51 cm) | Width: 10.750 inches (27.305 cm) | Depth: 10.500 inches (26.67 cm)

b: Height: 7.500 inches (19.05 cm) | Width: 12.000 inches (30.48 cm) | Depth: 11.625 inches (29.528 cm)

Creator(s)

Biographical History

Hilde Lotte Anker was born on May 29, 1926, in Berlin, Germany, to Georg Jakob Willie Anker and Gertrud Gottschalk Anker. She had two older sisters: Eva Kate, born June 6, 1922, and Dodi Grete, born May 9, 1924. Hilde’s father Georg was born on May 15, 1885, in Danzig, to Simon and Henrietta Anker. Simon founded a successful grain import-export business in 1877 and was prominent in the Jewish community. Georg had eleven siblings, including Arthur, Leo, Heinrich, and Paul. Georg served as an officer in the German Army in World War I (1914-1918). He moved to Berlin in 1921 and opened a men’s clothing manufacturing business. Hilde’s mother Gertrud was born on March 24, 1894, in Schlawe, to Hugo and Bertha Wolffberg Gottschalk. Hugo operated a grain mill that had been in the family since 1873. Gertrud had three siblings: Bruno, born July 3, 1890, Kaethe, born October 14, 1892, and Nanny, born March 13, 1888. Bruno, a law student, died on February 10, 1911, of pneumonia. Nanny and her husband Arthur Lewin had two children, Ludwig and Ursel (Ursula). Kaethe converted to Protestantism to marry Max Knipfer and the couple had one son, Guenther. On May 15, 1921, Georg and Gertrud married. The family was prosperous and cultured. In January 1933, Hitler came to power in Germany. Berlin seemed to change overnight. The next day, Hilde saw uniformed Nazis posting signs in the windows of Jewish shops, discouraging people from shopping there. One of their neighbors was a Nazi and forbid her daughter from playing with Hilde. After Hilde’s maternal grandfather Hugo died on July 31, 1934, her grandmother Bertha and aunt Nanny moved to an apartment across the street. Hilde’s paternal grandfather Simon died in 1935. In approximately 1936, Hilde, 10, applied to the public secondary school that her older sisters attended. She passed the entrance exam, but was dened admission because she was Jewish. Hilde attended the Goldschmidt school, a Jewish school in the Berlin suburbs that opened in 1935 for the Jewish students and teachers who had been kicked out of public schools. It took an hour to get to the school and Hilde had to run to the train station to avoid being beaten by the Hitler Youth. Several male teachers were arrested and sent to concentration camps and some did not return. Hilde’s father Georg often had to leave the home for days at a time to avoid to being arrested. Georg packed the family valuables in a shipping container and sent it to the United States, where his brothers Arthur, Heinrich, and Paul had emigrated in approximately 1937. In 1938, Hilde’s sisters Eva and Dodi were forced out of public school and went to the Goldschmidt school. On November 9 and 10, 1938, the Kristallnacht pogrom occurred. On the morning of the 10th, Hilde, Eva, and Dodi went to school and saw their synagogue burning. After they returned home, their father took them around Berlin on the streetcar, so they would witness the burning synagogues and destroyed Jewish stores. Following Kristallnacht, Georg decided that the family had to leave Germany. Hilde and her sisters applied to go to Great Britain on a Kindertransport [Children’s Transport]. Georg’s brother Leo lived there and was willing to take the three girls. On June 12, 1939, Hilde, Eva, and Dodi left Berlin by train. When they reached Bremen, the Gestapo searched their luggage for valuables and dumped their belongings, so carefully packed by their mother, on the ground. They sailed on the SS Europa and arrived in England on June 14. Their uncle Leo sent Eva to work on a vicarage farm and put Hilde and Dodi in a boarding school. Later that summer, Hilde and her sisters were reunited with their parents. On July 12, Georg was warned by a friend in the police station that he and Gertrud were going to be arrested and deported the following day. On July 13, the couple bought plane tickets to Copenhagen. They were questioned at the airport but were able to leave because their Danzig passports did not state their religion. After a brief stay in Denmark, Georg and Gertrud went to England. Hilde and Dodi lived with them in London, but it was unsafe because of the constant bombing so they were sent to the country to live with Eva. On September 20, 1940, the Anker family sailed from Liverpool on the SS Nova Scotia, arriving in Boston on October 5. The family settled in Van Nuys, California, where Georg established a chicken farm. They Americanized their names to George, Gertrude, Dorothy, and Hilda. Dorothy, age 23, died on December 17, 1947. On August 21, 1949, Hilda married Hershel Fogelson (1923-1999). The couple lived in Los Angeles and had three sons. Hilda worked as a teacher. Most of Hilda’s family perished in the Holocaust. On September 11, 1942, Hilda’s maternal grandmother Bertha, and aunt, Nanny, were deported to Theresienstadt ghetto-labor camp. Bertha had a chance to go to the US in 1941 but refused to leave Nanny. Bertha died in Theresienstadt on November 23, 1942. Nanny was deported to Auschwitz concentration camp on May 16, 1944, and killed immediately. Nanny’s daughter Ursula had been institutionalized in Berlin and was deported to Auschwitz on March 12, 1943, where she was immediately killed. In January 1944, Hilda’s maternal aunt Kaethe was deported to Theresienstadt, even though she had converted to Protestantism. Her son Guenther, who served in the German Army, was put in a labor camp, but both survived the war. Hilda’s father George, age 69, died on April 6, 1955. Hilda’s mother Gertrude, age 75, passed away on November 4, 1969. Hilda’s sister Eva, age 91, passed away on November 7, 2013.

Archival History

The accordion was donated to the United States Holocaust Memorial Museum in 2003 by George J. Fogelson, the son of Hilda Anker Fogelson.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of George J. Fogelson

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Imperial IIA small piano accordion and case belonging to Hilde Anker, 13, who took it with her on a Kindertransport from Berlin to Great Britain on June 12-14, 1939. Hilde's sisters, Eva, 17, and Dodi, 15, were also sent away by their parents, Georg and Gertrud, on the same Children's Transport. In 1933, Hitler's Nazi regime implemented policies to persecute the Jewish population. After the Kristallnacht pogrom in early November 1938, Georg decided the family must leave. The girls applied for spots on the Kindertransport and George's brother Leo in England agreed to look after them. Eva was sent to a vicarage in Sussex, and her sisters later joined her due to the constant bombing during the Blitz. In July 1939, Georg and Gertrud were warned of their impending arrest. They fled to Denmark and then joined their daughters in England. On September 20, 1940, the family left by ship for America. They settled in California where Hilde continued to play the accordion. It was later played by her niece Yvonne. In 2001, Hilda visited Sussex and a village resident recalled "the refugee child who played Run, Rabbit, Run on the accordion."

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

a. Small, rectangular, piano accordion with a wooden body with rounded edges and a yellowed, offwhite pearlized plastic shell. The body has 2 sections connected by an expandable, light brown leather bellows framed with metal rectangles and trimmed with black and silver colored leather. The top right surface slants downward from the bellows and has a rectangular inset with 32 small push buttons arranged diagonally in the center; decorative, black painted plastic and metal trim is glued around the inset. The right side has a black painted panel with 4 metal foot studs, 1 round button, and 4 arched rows of holes in front of a brown mesh panel. A gray painted leather hand strap is attached over this side by front and back rivets. Along the left side is a keyboard with 10 black and 15 offwhite keys, attached to a diagonal bottom edge extension with black plastic trim. A large opening cut into the side is covered by a decorative metal grille over a brown mesh panel. Short, dark brown leather straps, attached to the front and back, stretch across the bellows to hold the accordion closed when not in use. Two long, narrow, gray painted, leather shoulder straps with buckles are attached to curved metal brackets on the front and back. There are 2 short, black straps with metal hooks used to connect the sides of the long strap to support the accordion's weight when in use. All hardware is silver colored metal and all buttons are black plastic. b. Small, rectangular dark brown leather covered fiberboard instrument case with a wooden frame and double flap hinged lid. The case sides angle downward and are stitched with thick, light brown thread. The bottom edge of the lid is trimmed with painted brown metal. A painted brown, molded metal handle is attached to plates on the front of the base. A lock plate with a keyhole and hasp slot is riveted to the base center; a hasp is riveted to the front lid center. The back has 4 semi-circular metal feet. The interior is covered by light brown cloth and has a cloth strap in the back right corner. The lid interior is inscribed. All hardware is silver colored metal. The lid is warped and the case is scratched and worn.

b. lid underside, left corner, ink and pencil : Hilda Anker England (crossed out) U.S.A. / Yvonne

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.