Jas̆a Altarac papers

Identifier
irn520793
Language of Description
English
Alt. Identifiers
  • 2002.438.1
Level of Description
Item
Languages
  • Serbian
  • Albanian
  • Italian
  • German
  • English
  • French
Source
EHRI Partner

Extent and Medium

box

1

Creator(s)

Biographical History

Jaša Altarac was born on January 1, 1934 in Belgrade, Yugoslavia (Serbia), to Mayer (Meir) and Mimi (Miriam) Finci Altarac. Mimi was born in 1910 in Brcko (now in Bosnia and Hercegovina). Her father was an accountant and she had two brothers, David and Shalom, and a sister, Frida. Shalom immigrated to Palestine before the war. Mayer was born in 1901 in Sarajevo (later in Bosnia and Hercegovina) and had a successful business as a marble craftsman and home contractor. Jaša’s younger sister, Lea Lela, was born in 1937. The family was well off, assimilated, and spoke Serbian. Mayer also supported his mother and other family members in Sarajevo. They traveled by car every year to celebrate Passover with Jaša’s grandmother in Sarajevo. Yugoslavia was held together by a totalitarian monarchy backed by the military. On April 6, 1941, continuing the policy of eastward expansion, Germany and Italy invaded Yugoslavia supported by Hungary and Bulgaria. Jaša and his family were in Sarajevo for Passover on April 14 and there was an aerial attack. The family rushed to the basement, and the house was directly hit by a bomb. Jaša was thrown through the air. His sister, Lela, was found in the arms of her grandmother, both dead. A few days later, German troops occupied Sarajevo. The family left the city ten days after the funeral for Sabac, a village in central Serbia. They stayed with Miloje Markovic, the foreman of Mayer’s business. On July 18, the family returned to Belgrade. Yugoslavia had been dismembered by the Axis Alliance and Serbia, where Belgrade located, was under German military government. Anti-Jewish policies were immediately implemented. Jews had to register with the police. Jewish men, including Mayer, were taken for forced labor. The Germans took hostages to prevent any resistance, and Jewish hostages were killed for any pretext. Mayer asked a former business partner, and Italian named Erminio Dorio, to help them obtain travel documents for the Italian occupation territory. This area was preferred because Italian authorities generally refused to deport Jews to German-run concentration camps. The permits were not ready as quickly as needed, but Dorio provided a letter on the stationary of the Bulgarian Embassy in Belgrade stating that a travel visa for Skopje was waiting for them in Tirana, Albania. On September 9, 1941, the family fled to Skopje, Macedonia (now North Macedonia), a former province of Yugoslavia, now occupied by Bulgaria. They rented a room with a Jewish family named Amarillo. On October 10, Mayer met an Albanian man from Kosovo, who recognized Mayer as Jewish. The family left Skopje that night for territory under Italian jurisdiction, and settled in Pristina in Kosovo. Pristina had a large, Jewish refugee population. In December 1941, the Italians ordered the Jewish refugees to move into the main prison. Families remained together, they were allowed to use the prison courtyard, and many of the Italian guards were friendly. Moshe Mandil, a professional photographer from Novi Sad, secured permission for a group of inmates to go to the local market to sell the bread they received from the prison authorities for vegetables and other food. Jewish residents of Pristina also helped the prisoners by providing kosher meals. On March 17, 1942, German authorities demanded the transfer of the Jews into their custody. The Italians turned over fifty-one individuals. Jaša’s maternal aunt, Frida Barta, her husband, and daughter, Dita, were among them. His mother, Mimi, wanted to join her sister, but an Italian guard convinced her not to go. All fifty-one people were murdered by the Germans. On July 8, the Italian command decided to transfer the Jewish prisoners to Albania. They were divided into groups and each group had to find trucks to take them to different destinations in Albania. Jaša, then eight, and his family went to Kavaje, with four other families: Azriel, Borger, Ruchwarger, and Mandil. There were three other children in the group: Marki Azriel, 14, Gavra Mandil, six, and his sister Beba, five. In Kavaje, the head of each family had to register with the Italian commander daily, but otherwise there were few restrictions. They rented apartments in the same building which they called the Red House. Moshe Mandil opened a photography studio. The children attended a school, with an Italian soldier as their teacher. In September 1943, the Italian military commander assembled the heads of the Jewish families and announced that Italy had surrendered to the Allies on September 8. The Italian garrison would be leaving town, but they had destroyed the records on the families. The mayor of Kavaje provided documents identifying them citizens and Muslims. It was felt that German forces would soon occupy the town. The Altarac family decided they would be safer in a city and went by taxi with Jasa’s cousin, Sida Levi, and her ten-year-old son, Mikica, to Tirana, the capital. They rented an apartment and Sida and Jaša’s mothers earned money by knitting sweaters. A customer, Ganimet Toptani, who spoke German because her father had been the ambassador to Austria, knew that the family was Jewish and often gave Mimi food for the children. In February 1944, Ganimet asked Mimi to come see her. She told Mimi that the Germans were planning deportation round-ups and that the Jews needed to leave Tirana. Her husband, Atif, moved the Altarac and Levi families to an estate in Kamza, outside Tirana. He later moved Sida and her son to different hiding places. They celebrated Passover with the Mandil family who were being protected by the Veselis family and the Gershons, who were aided by the Frasheris family. In August 1944, the estate was searched by a German unit of Bosnian Muslims, the Hadj Amin El Husseini division (Handjar), after shots were fired at them. They interrogated Mayer, who spoke German, and explained that he was a relative. There were German books, including Nazi propaganda, in the villa, so they believed him and left. Atif moved them to another location in Tirana. In September 1944, Tirana was liberated by partisans. The Altarac family returned to Belgrade. They later learned that Mimi’s brother David and his family had survived. Shalom had served in the British Army, parachuting behind enemy lines and working with the Yugoslav partisans. In December 1948, the family immigrated to Israel. In 1960, Jaša married Enica Frances, from Skopje, who had survived with her parents, brother, and grandmother in Albania. The couple had two daughters. In 1992, Atif and Ganimet Toptani were recognized as Righteous Among the Nations by Yad Vashem.

Archival History

United States Holocaust Memorial Museum

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Jas̆a Altarac

Funding Note: The cataloging of this collection has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Jas̆a Altarac donated the Jas̆a Altarac papers to the United States Holocaust Memorial Museum in 2002.

Scope and Content

The Jaša Altarac papers consist of biographical materials, correspondence, Mermer-Oniks business records, photographic materials, and a newspaper documenting the Altarac family in Belgrade; their Holocaust itinerary of flight, imprisonment, deportation, and hiding through Skopje, Pristina, Kavaja, Kamza, and Tirana; and Mayer Altarac’s marble business Mermer-Oniks. Biographical materials include identification papers, travel permissions, labor documents, and false identification papers documenting Mayer, Mimi, and Jaša Altarac in Belgrade, Skopje, Pristina, Kavaja, and Tirana. This series also includes the notebook the Altarac family used to record the signatures of Italian police in Kavaja proving that the family reported to the police station daily. Correspondence includes Red Cross inquiries from Mimi Altarac seeking information about Frieda and Andrija Barta and about Esther, Ana, and Leon Finci as well as two letters from Albert Altarac, Mayer Altarac's brother, to Gavro Navon and Mario Altarac in Pristina. This series also includes postwar receipts for money sent to Palomba Finci, Hajima Altarac, and Joska Herman in Vareš-Majdan, Mostar, and Sarajevo. Mermer-Oniks records include prewar building documents, commercial correspondence, letterhead, and tax payments as well as postwar surveys of quarries documenting Mayer Altarac’s marble and granite business. Mayer was one of the most prominent architects in prewar Belgrade. He discovered several sources of marble and other stone in Yugoslavia and used the stone from his quarries in his architectural projects. Photographic materials include loose family photographs and pages from a family photo album documenting the Altarac family in Belgrade, Sarajevo, Pristina, Kavaja, Kamza, and Tirana, as well as vacation photos from Bled, Makarska, Planica, Postojna, and Split. Photographs include the Altarac family while imprisoned in Pristina and while living at the “red house” in Kavaja, Jasa Altarac’s class portrait from Kavaja where he attended school under a false Muslim identify, and photographs of the family during hiding in Kamza and Tirana. This series also includes two photographs of Jaša Altarac’s wife, Enica Frances, and her family from Skopje. They were rescued during the war by Dr. Tode and Lala Hadjimitkov, taken to Tirana, and went into hiding. Albanians Zonda and Hamdi Kasapi later helped them escape arrest and hid them in the remote village of Zaliheri. The newspaper is the May 9, 1945 issue of Borba, the Yugoslav communist party organ.

System of Arrangement

The Jas̆a Altarac papers are arranged as five series: I. Biographical materials, 1922-1964, II. Correspondence, 1941-1943, III. Mermer-Oniks records, 1933-1946, IV. Photographic materials, approximately 1915-1960, V. Printed materials, 1945

Conditions Governing Reproduction

Copyright Holder: Mr. Jas̆a Altarac

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.