Violin, case and spare parts used by a Jewish Latvian musician while imprisoned in several concentration camps

Identifier
irn45017
Language of Description
English
Alt. Identifiers
  • 2006.133.2 a-j
Dates
1 Jan 1940 - 31 Dec 1949
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

a: Height: 24.500 inches (62.23 cm) | Width: 7.875 inches (20.003 cm) | Depth: 4.000 inches (10.16 cm)

b: Height: 28.750 inches (73.025 cm) | Width: 1.125 inches (2.858 cm) | Depth: 0.500 inches (1.27 cm)

c: Height: 5.750 inches (14.605 cm) | Width: 32.000 inches (81.28 cm) | Depth: 13.375 inches (33.973 cm)

d: Height: 4.500 inches (11.43 cm) | Width: 1.875 inches (4.763 cm) | Depth: 0.375 inches (0.953 cm)

e: Height: 1.375 inches (3.493 cm) | Width: 1.750 inches (4.445 cm) | Depth: 0.125 inches (0.318 cm)

f: Height: 0.875 inches (2.223 cm) | Width: 2.125 inches (5.398 cm) | Depth: 0.250 inches (0.635 cm)

g: Height: 1.125 inches (2.858 cm) | Width: 0.250 inches (0.635 cm) | Depth: 0.625 inches (1.588 cm)

h: Height: 1.000 inches (2.54 cm) | Width: 0.250 inches (0.635 cm) | Depth: 0.500 inches (1.27 cm)

i: Height: 0.625 inches (1.588 cm) | Width: 0.250 inches (0.635 cm) | Depth: 0.250 inches (0.635 cm)

j: Height: 0.500 inches (1.27 cm) | Width: 0.125 inches (0.318 cm) | Depth: 0.125 inches (0.318 cm)

Creator(s)

Biographical History

Grunia Lewin (later Gertrude Levine Brand) was born on October 1, 1919, in Liepāja, Latvia, to a Jewish couple, Aron David and Lisa Chrapkowska Lewin. She worked as an apothecary, chemist, and farmer. She was married to Elias Leo Hirshman. The Soviet Union occupied Latvia in June 1940. In spring 1941, Germany invaded the Soviet Union and, by July 1941, the country was occupied by German forces. On July 1, 1942, Grunia was forced into the newly formed ghetto in Liepāja. In August, the ghetto was closed off from the rest of the city. On May 5, 1943, Grunia was arrested by the German Security Police (Sipo). On September 3, Grunia was transported to Dondangen II (Poperwahlen) forced labor camp, a sub-camp of Riga-Kaiserwald concentration camp. In early July, as the Soviets advanced, the camp was evacuated and Grunia was transported to Dondangen I. In late July, the Sipo running the camp closed it, and on August 9, 1944, they sent many prisoners, including Grunia, to Stutthof concentration camp, near the German occupied city of Danzig. Upon arrival, she was assigned prisoner number 57127. On August 22, she was transferred to Mühldorf concentration camp, a sub-camp of Dachau concentration camp. She was assigned prisoner number 92894 and was likely put to work as a forced laborer at an underground airplane factory code-named Weingut I. Grunia’s husband, Elias, Leo was deported to Dachau, where he was murdered. Grunia was liberated on May 1, 1945. Following Germany’s May 7 surrender, Grunia traveled to a displaced persons camp in Feldafing, Germany. In 1947, she attended a concert in Frankfurt, Germany, given by Perec Brandt, a musician from Liepāja. Perec had lost his wife and two children during the war and survived Riga-Kaiserwald, Stutthof, and Buchenwald concentration camps by playing his violin to appease the guards and earn extra food. The two met at his performance, soon married, and Grunia went to live with him in the Zeilsheim DP camp. Grunia became his manager as he performed in many DP camps. Grunia later learned that her mother, Lisa, was transported to a camp near Riga when the Liepāja ghetto was liquidated in October 1943. In October 1944, Lisa was likely deported to Stutthof concentration camp, where she perished before the war ended. Grunia’s great uncle, Harry Marcus, agreed to sponsor the couple, and in February 1949, they immigrated to the United States aboard the SS Marine Jumper. They settled in Boston, Massachusetts, where Grunia changed her name to Gertrude and Perec to Percy Brand. Gertrude continued to manage Percy’s successful career as a well-known musician and radio and television performer. Percy, age 77, died on August 8, 1985, in Brookline, Massachusetts. Gertrude, age 89, died on November 27, 2008, in Brookline.

Perec Brandt (later Percy Brand) was born on April 2, 1908, in Liepāja, Latvia, to a Jewish couple, Abram and Basia Brandt. He had one sister named Mary, and at least one brother, Carpel. He began playing the violin at the age of ten. He married Sara Behrmann and they had two children, Judith Basya, born on November 22, 1930, and Mendel, born on August 8, 1933. The family lived in Riga, where Perec was the concertmaster of the Riga Latvian Symphony Orchestra. In August 1940, the Soviet Union annexed Latvia. In spring 1941, Germany attacked the Soviet Union and, by July 1941, Riga was occupied by German forces. SS Einsatzgruppen units [mobile killing units], assisted by the local population, rounded up and shot thousands of Jewish Latvians who were unable to work, especially children, women with small children, the elderly, and the ill. Perec’s wife and children were among those taken and murdered. Perec was forced into labor, stripped of his possessions, except his violin, and moved into the Riga ghetto, which was sealed soon after. Later, Perec met and married a Czechoslovakian woman named Margit Stransky Rekler, who had been deported from Vienna, Austria, to Riga in January 1942. In August 1943, he was sent to Riga-Kaiserwald concentration camp. In October, Perec was deported to Stutthof concentration camp near the German occupied city of Danzig. On August 16, 1944, he was transported to Buchenwald concentration camp in Germany, where he was assigned prisoner number 82321. Perec kept his violin with him during the transports, and in each camp it was confiscated and then returned to him. In Buchenwald, the commandant summoned him daily to play for him and rewarded him with bread, meat, and coffee. From late November 1944 to early January 1945, Perec was very sick and needed to be hospitalized. On April 11, 1945, the 6th Armored Division of the US Army marched into Buchenwald, several hours after the prisoners took control by storming the guard towers and forcing the guards to flee. Perec weighed 50 pounds at liberation. On May 7, Germany surrendered. In June, Perec joined the Kibbutz Buchenwald, a training farm affiliated with a nearby displaced persons camp in Fulda, Germany, which was preparing survivors for immigration to Palestine. Perec later learned that in August 1944, Margit had been deported to Stutthof and Sophienwalde concentration camps near Danzig, where she perished. Perec regularly performed for survivors in various displaced persons camps. In January 1946, he went to the Zeilsheim DP camp. In 1947, he became the first musician to play Jewish and Hebrew music on the Frankfurt am Main radio. At this performance he met Grunia Lewin (Levine, 1919 – 2008) who was also from Liepāja, and a survivor of Dondangen II, Stutthof, and Mühldorf concentration camps. They married and she went to live with him in the Zeilsheim DP camp. Grunia became his manager as he performed in many DP camps. Gertrude’s great uncle, Harry Marcus, agreed to sponsor the couple, and in February 1949, they immigrated to the United States aboard the SS Marine Jumper. They settled in Boston, Massachusetts, where Grunia changed her name to Gertrude and Perec to Percy Brand. Percy had a successful career as a well-known musician and radio and television performer. Gertrude continued to serve as his manager. Percy, age 77, died on August 8, 1985, in Brookline, Massachusetts.

Archival History

The violin, case, and spare parts were donated to the United States Holocaust Memorial Museum in 2006 by Gertrude Brand, the widow of Percy Brand.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Gertrude Brand

Scope and Content

Violin, case, and parts kept by Perec Brandt during his imprisonment in several concentration camps from 1943-1945. A family friend gave the violin to Perec as a Bar Mitzvah present in 1921. Perec was the concertmaster of the Riga Latvian Symphony Orchestra in 1940 when the Soviets annexed Latvia. In June 1941, Latvia was under German occupation and Perec’s wife, daughter, and son were murdered by the SS Einsatzgruppen [mobile killing unit]. Perec was forced into the Riga ghetto, and later transferred to Riga-Kaiserwald, Stutthof, and Buchenwald concentration camps. In Buchenwald, he was ordered to play his violin for the commandant and was rewarded with extra rations. He kept his violin with him throughout his imprisonment and even slept with it. He was liberated from Buchenwald on April 11, 1945, by the United States Army. Perec weighed 50 pounds at liberation. He joined the Kibbutz Buchenwald, part of a displaced persons camp. Postwar, he performed with his violin in various DP camps where he met and married Grunia Lewin (later Gertrude), a survivor of Dondangen II, Stutthof, and Mühldorf concentration camps. They immigrated to the United States in February 1949.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

a. Full size, brown varnished, wooden violin. At the top end is a carved spiral volute scroll extending into a rectangular, slotted peg box with 2 holes on each side. Black painted wooden tuning pegs are inserted into each hole. Strings with multicolored thread wrapped around both ends are wound around the pegs. Below the peg box, the narrow neck attaches to the top block of the hourglass shaped body. The strings extend down the fingerboard and over the light brown, unfinished wooden bridge which is mounted upright between 2 F-shaped sound holes in the body, at the waist. The black painted tailpiece is attached with tailgut to the black painted endpin. The strings pass through 4 slotted holes. The A and E strings are attached with fine tuners; the D string is tied with a loop knot and the G string to a metal hook. Around the perimeter of the body and back is a black painted design simulating purfling, a narrow decorative wooden inlay. A white cloth handkerchief, taped to the body, covers a cushion glued to the right of the tailpiece; it is taped on the underside to a brown corduroy covered, semi-circular chin pad, with a gold colored metal ring. The pad is secured with a strip of white cloth attached to the endpin, allowing it to flip from back to front. b. Dark brown varnished wooden bow consisting of a curved stick with an animal hair ribbon strung between the tip and frog. A white, plastic, wedge shaped tip is glued under the rectangular head. The hair is inserted into a square slot in the tip, and locked into place with a wooden plug. At the opposite end, a rectangular frog with a U-Shaped cut out facing the tip is affixed to the stick. Attached to the lower leg of the U, a semi-circular silver metal ferrule secures the hair to the frog. Extending back from the ferrule is a rectangular slot with a mother of pearl insert and decorative circular mother of pearl side inserts. Above the frog, 2 black and brown leather strips wind around the stick. The stick extends slightly past the frog and is capped with a faceted metal endscrew. c. Rectangular, wooden, double violin case covered in brown leather with rounded, leather padded corners and a convex lid. All hardware is tarnished, silver colored metal. On the front are 2 drawbolts with a hasp lock and central keyplate. Attached on the base near the keyplate is a leather handle with buckled ends. Both sides have an elongated, rectangular metal plate; the left has engraved text. The lid is attached to the base with 3 flap hinges and there are 4 metal studs on the base underside. The interior is lined with blue felt. The base has 2 opposing violin compartments and 4 covered accessory compartments partially lined in leather. The perimeter is padded. The lid has 4 blue ribbon lined bow compartments. Metal spring brackets are on the right side for the handle end of the bow. The bow head slips into felt covered brackets on the left. d. Wooden, black painted tailpiece with a convex front, flat back, and a wide top tapering to a narrow, curved bottom. The top has a horizontal groove and 4 slotted openings for attaching strings and tuners. The underside has a semi-circular cavity at one end with 2 holes extending towards a thumb shaped depression. e. Light brown, rectangular, unfinished wooden bridge with 4 shallow notches on a curved top. The straight sides curl in at the waist and out at the hip before curving down to a flat bottomed foot. There is a heart shaped cut out in the center. f. Black painted tapered wooden tuning peg with a circular knob. The knob has horizontal depressions and a cylindrical shaft with a small hole near the lower end. g. Rectangular silver colored metal plate and an L-shaped hooked metal piece that connects the E string to the tailpiece. The plate has a keyhole shaped cut out at the top that fits over the hooked piece and a hole at the bottom with a threaded screw barrel. Raised letters are on the bottom of the plate. h. Rectangular, silver colored metal plate and an L-shaped, silver metal piece that connects the E string to the tailpiece. The plate has a keyhole shaped cut out at the top that fits over the flat head of the L-shaped piece and a hole at the bottom to insert a threaded screw barrel and turning screw. i. Gold colored metal turning screw with a circular, flat head and a pointed end inserted into a hollow screw barrel with a circular flat head and bottom. j. Gold colored metal turning screw with a cube shaped head and a threaded hole on one side.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.