Expressionistic lithograph by Richard Grune depicting concentration camp inmates begging a guard for food

Identifier
irn510547
Language of Description
English
Alt. Identifiers
  • 2002.82.1
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 12.000 inches (30.48 cm) | Width: 8.625 inches (21.908 cm)

Creator(s)

Biographical History

Richard Grune was born on August 2, 1903, in Flensburg, Germany. He attended the Municipal Arts and Craft School in Kiel. In 1926, he studied at the Bauhaus school in Weimar, and later Dessau, where his teachers included Paul Klee and Wassily Kandinsky. He worked as a painter and photographer. Grune moved to Berlin in February 1933. Hitler had been appointed Chancellor in January that year and the country was rapidly shifting into a Nazi controlled dictatorship. Nazi ideology called for the racial and cultural purification of Germany and, in debates in the Reichstag, Nazi party members had already made clear their position that homosexuality was antithetical to a strong Germany. Under the new government, police were enforcing the existing law, Article 6, § 175, which punished indecent acts between men. Same-sex clubs were being shut down and those suspected of violating the law were being targeted for arrest. Grune was arrested in December 1934, one of seventy caught in a wave of denunciations. Under interrogation, Grune admitted to being homosexual. He was held in protective custody for five months, then returned to his childhood home in Flensburg to stand trial for violating §175. In September 1936, Grune was convicted and sentenced to prison in Lichtenburg. Upon his release, the Gestapo kept Grune in protective custody, asserting that his sentence had been too lenient. In early October 1937, Grune was sent to Sachsenhausen concentration camp. In early April 1940, he was transferred to Flossenbürg. In April 1945, as American forces approached, Grune escaped during the evacuation of the camp and joined his sister in Kiel. He began creating the works that would be exhibited and published as "Passion des XX. Jahrhunderts" (Passion of the 20th century). The set of lithographs was, one of the earliest and most important works to detail the horrific conditions and brutality of the German concentration camp system to the public. Grune spent much of the remainder of his life in Spain, but later returned to Germany. Grune, 80, died on November 26, 1983, in Hamburg.

Archival History

The lithograph was acquired by the United States Holocaust Memorial Museum in 2002.

Acquisition

United States Holocaust Memorial Museum Collection

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.

Scope and Content

Lithograph created by Richard Grune for a 1947 series of works based upon his experiences as an inmate in German concentration camps and prisons from 1934-1945. Grune was a Bauhaus trained artist who moved to Berlin in February 1933, as the Nazis were consolidating their control of the government. In December 1934, he was denounced and arrested. Under interrogation, Grune admitted to being homosexual. He was held in protective custody for five months, then returned to Flensburg, his childhood home, to stand trial for violating Article 6, §175 of the penal code which punished indecent acts between men. In September 1936, he was convicted and sentenced to prison. Upon his release, the Gestapo returned Grune to protective custody, asserting that his sentence had been too lenient. In October 1937, Grune was sent to Sachsenhausen concentration camp where he remained until being transferred to Flossenbürg in early April 1940. Five years later in April 1945, as American forces approached, Grune escaped during the evacuation of the camp and joined his sister in Kiel. In 1947, he published an edition of lithographs to show the world the horrific conditions of the German-run camps. It was one of the most important records of Nazi brutality published in the immediate postwar period.

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

Lithograph, heavily inked, on paper with an image of an imposing uniformed man, hands on hips, looking down with a smirk on his face at two starving men people with desperate expressions groveling at his feet. The figure in the foreground squats and holds out his open hand and outstretched arm. Next to and slightly behind him, the squatting 2nd figure holds up an empty bowl in 2 hands. There are groups of seated and standing figures in the background in the left and right corners, eating food. The space between figures is filled with agitated swirls adding a hellish, otherworldly tension to the scene. The artist's signature is in pencil just below the right bottom corner of the image.

with despaerate faces

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.