Richard Grune lithograph of a torture scene witnessed in a concentration camp

Identifier
irn50607
Language of Description
English
Alt. Identifiers
  • 2012.316.10
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 24.000 inches (60.96 cm) | Width: 16.000 inches (40.64 cm)

pictorial area: Height: 7.875 inches (20.003 cm) | Width: 11.875 inches (30.163 cm)

Creator(s)

Biographical History

Richard Grune was born on August 2, 1903, in Flensburg, Germany. He attended the Municipal Arts and Craft School in Kiel. In 1926, he studied at the Bauhaus school in Weimar, and later Dessau, where his teachers included Paul Klee and Wassily Kandinsky. He worked as a painter and photographer. Grune moved to Berlin in February 1933. Hitler had been appointed Chancellor in January that year and the country was rapidly shifting into a Nazi controlled dictatorship. Nazi ideology called for the racial and cultural purification of Germany and, in debates in the Reichstag, Nazi party members had already made clear their position that homosexuality was antithetical to a strong Germany. Under the new government, police were enforcing the existing law, Article 6, § 175, which punished indecent acts between men. Same-sex clubs were being shut down and those suspected of violating the law were being targeted for arrest. Grune was arrested in December 1934, one of seventy caught in a wave of denunciations. Under interrogation, Grune admitted to being homosexual. He was held in protective custody for five months, then returned to his childhood home in Flensburg to stand trial for violating §175. In September 1936, Grune was convicted and sentenced to prison in Lichtenburg. Upon his release, the Gestapo kept Grune in protective custody, asserting that his sentence had been too lenient. In early October 1937, Grune was sent to Sachsenhausen concentration camp. In early April 1940, he was transferred to Flossenbürg. In April 1945, as American forces approached, Grune escaped during the evacuation of the camp and joined his sister in Kiel. He began creating the works that would be exhibited and published as "Passion des XX. Jahrhunderts" (Passion of the 20th century). The set of lithographs was, one of the earliest and most important works to detail the horrific conditions and brutality of the German concentration camp system to the public. Grune spent much of the remainder of his life in Spain, but later returned to Germany. Grune, 80, died on November 26, 1983, in Hamburg.

Archival History

The lithograph was acquired by the United States Holocaust Memorial Museum in 2012.

Acquisition

United States Holocaust Memorial Museum Collection, The Abraham and Ruth Goldfarb Family Acquisition Fund

Funding Note: The acquisition of this collection was made possible by The Abraham and Ruth Goldfarb Family Acquisition Fund.

Scope and Content

Lithograph created by Richard Grune soon after the war to publicize the barbaric conditions he experienced or witnessed as a prisoner in concentration camps and prisons in Germany from 1935-1945. Grune was a Bauhaus trained artist who moved to Berlin in February 1933. Hitler had been appointed Chancellor that January and was transforming the government to a Nazi-controlled dictatorship. Nazi ideology demanded racial and cultural purity and homosexuality was antithetical to this vision. Under the new government, those supected of violating a pre-existing statute, Article 6, §175, which punished indecent acts between men, were targeted for arrest. In December 1934, Grune was denounced and arrested. Under interrogation, he admitted to being homosexual. He was held in protective custody for five months, then put on for violating §175. In September 1936, he was convicted and sentenced to prison. Upon his release, the Gestapo kept Grune in protective custody, asserting that his sentence had been too lenient. In October 1937, Grune was sent to Sachsenhausen concentration camp. In April 1940, he was transferred to Flossenbürg. Five years later, in April 1945, as American forces approached, the camp was evacuated and Grune escaped. He began work on a series of artwork to show the horrific conditions of the German-run camps to the world. In 1947, the works were exhibited and published as Passion des xx. jahrhunderts, one of the most important records of Nazi brutality published in the immediate postwar period.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

Restrictions on use

Physical Characteristics and Technical Requirements

Expressionist lithograph in black ink with an image in the left foreground of a male prisoner with bowed head, hands bound with rope, gaunt chest bared and the number R0145 visible on his right leg. A uniformed officer reads a paper to the right. In the middle ground is a wooden bench and, in the distance, 2 men prepare a gallows. The lower right side of the image contains the artist's signature, R. GRUNE. This print is inked differently than most of the others. It is a smaller scaled version of print 2012.316.9.

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.