For Mommy Mother's Day card with ribbon and an image of a mother and daughter created by a former hidden child
Extent and Medium
overall: Height: 18.000 inches (45.72 cm) | Width: 14.000 inches (35.56 cm)
pictorial area: Height: 6.500 inches (16.51 cm) | Width: 9.625 inches (24.448 cm)
Creator(s)
- Alona Frankel (Artist)
- Alona Frankel (Subject)
Biographical History
Ilona (Alona) Goldman (later Frankel) was born on June 27, 1937, to Gusta and Salomon Goldman in Krakow, Poland. Salomon was born in 1901 in Bochnia and had two brothers. Gusta was born in 1904 in Oswieczim and had five brothers and sisters. Both her parents were communists, an association that was illegal at the time. Salomon and Gusta married in 1936 and live in a lavish villa Salomon had built in Bochnia. He ran a successful construction supply business and the family lived comfortably, with servants and a nanny. In September 1939, Nazi Germany invaded Poland. The family fled to Lwow (Lviv, Ukraine) in the Russian-occupied section of eastern Poland. Her father worked as the chief accountant in a tannery/slaughterhouse factory. In June 1941, Germany invaded the Soviet Union. The Jews in Lwow were forced into the ghetto. The factory where her father worked came under the control of the SS, but he retained his job. The manager, Herr Knaup, designated Salomon an essential employee which offered some protection from deportation. He also allowed the family to live in an alcove attached to the factory. Salomon would hide leftover blood and entrails from the slaughterhouse for the other Jewish workers. They would drink the coagulated blood right away and wrap the entrails around their bodies under their clothes to smuggle back into the ghetto. At some point, the Goldmans had to move into the ghetto. During one round-up, Gusta and Ilona were placed on a transport for the camps, but someone told Salomon and the boss from the factory, Bulani, came and got them released. In March 1942, the Germans began deporting Jews from the ghetto to Belzec extermination camp. At some point, Salomon was arrested and taken to Janowska camp. He was tortured for two days, and then released. Salomon constructed a hiding place in their room that you reached by crawling through the stove. There was an aktion to clear the ghetto of children and when Gusta found Ilona, they hid there with several others. In early June 1943, the Germans destroyed the ghetto, killing thousands of Jews. The remaining residents were sent to Janowska forced-labor camp or deported to Belzec. In the spring of 1942, fearing the liquidation of the ghetto, Ilona’s father had arranged a hiding place for them outside the ghetto with Jozef Jozak, a former employee of Salomon’s. Jozef’s Russian Orthodox wife, Rozalia, opposed the plan because it would endanger them and their two children. They finally agree to hide Gusta and Salomon for a payment. But they refused to hide Ilona because it would be too risky to conceal a two year-old child. Her parents arranged to have a Polish woman, Hania Seremet, hide her as a Christian girl for payment. Hania had previously abandoned a young Jewish boy at the ghetto fence when his parents were killed and the payments stopped. Ilona was smuggled out of the ghetto by Hania and taken to the village of Marcinowice, where she lived as Irena Seremet, a Christian child, with Hania’s grandparents. Ilona shepherded the horse and geese and grated potatoes for meals. Hania would occasionally give Ilona a colored pencil and tell her to make drawings to send to her parents. Gusta sent a green dress she had embroidered with flowers so Hania could take Ilona to be photographed, as proof the child was alive. Ilona was not allowed to keep this dress or other items; Hania sold them instead. Ilona slept on straw in a box with a lid that served as a bench during the day. Ilona’s parents could afford to keep her there only 6 months; the last few months were paid for with gold crowns that Salomon pried from Gusta’s mouth with his pocketknife. When the payments stopped, Hania dumped Alona at the Jozak’s door one night and Salomon and Gusta hid Alona with them in the small hiding room, without the knowledge of the Jozak family. Ilona was lice ridden, but healthy and well-fed. She did not remember her parents and spoke a Polish dialect they could not understand. They spent nearly all of their time locked in a small room, lying on the bed and telling stories. They were always hungry. Josef Jozak was an alcoholic and his wife would often take the family away and leave no food for the Goldmans. To help deal with hunger pains, Gusta would dictate a daily menu to Salomon on which Ilona sometimes drew pictures. On some occasion, Gusta had to risk leaving the house to get food. Among the few items Ilona had to occupy her time were medical textbooks that belonged to the former inhabitants of the house, a Jewish gynecologist and his family who were killed in the camps. The Jozak’s were eventually told of Ilona’s presence and she occasionally played with their son, Eidig, who was the same age. They lived in hiding until the liberation in July 1944. They had trouble walking at first, having barely left the room for over a year. The Jozak’s sixteen year old daughter had died of tuberculosis in Gusta’s arms during the war and Gusta had contracted the illness, She was placed in a hospital for terminal TB patients. Salomon put Ilona in the care of a wealthy Jewish couple, the Fishmans, who had survived the war in hiding. Salomon, still a dedicated communist, sold the newspaper Czerwony Shtandar (The Red Flag) on street corners to earn money. The Fishmans complained that Ilona was an unpleasant child who did nothing but cry and that Salomon must come and take her. He then placed Ilona in an orphanage. After Gusta’s recovery under the care of Dr. Ordung, the family was reunited and lived in one room in a shared apartment. Salomon worked again as an accountant at the slaughterhouse/tanning factory. After the war ended in May 1945, they returned to Krakow. Salomon’s brothers had both gone to the Soviet Union during the war. Henryk returned from Siberia, but David never returned. Gusta’s only remaining sibling was Salka who had emigrated to Palestine before the war; the other five siblings and their families were killed in the camps. Salomon helped Josef Jozak and his family return to Krakow. Their home in Bochnia was nationalized by the Communist government and divided into four apartments. Salomon had joined the Polish Communist Party immediately after liberation and was appointed state comptroller for all the breweries in Poland. Ilona attended a summer camp in Zakopane that was attacked by antisemites. Ilona, now eight years old, was enrolled in school and it was learned that the little girl who was always bent over a book or a piece of paper did not know how to write. She could read fluently and had felt no need to add words to the stories she drew. In 1949, an anonymous person made threats against Salomon’s life because he was Jewish. The family decided to leave Poland and sailed for Israel in December 1949, arriving on January 1, 1950. Salomon, 58, died in 1958. Alona married Zygmunt Frankel in 1958 and has two children. She became an award winning children’s author and illustrator. Gusta, age 90, died in 1994. Alona wrote a memoir of her wartime experiences in 2004, A Girl, which won the Sapir Prize.
Archival History
United States Holocaust Memorial Museum
The drawing was donated to the United States Holocaust Memorial Museum in 2009 by Alona Frankel.
Acquisition
United States Holocaust Memorial Museum Collection, Gift of Alona Frankel
Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.
Scope and Content
Handmade Mother's Day card tied with a pink ribbon created by 12 year old Ilona Goldman in 1949. It has a handwritten message inside wishing her mother joy, happiness, and good health. During the war, Ilona lived in hiding in Poland from 1942-1944. She made many drawings during this time, especially when, in spring 1942 at age four, she was separated from her parents and placed with the Polish peasant family of Hania Seremet, who agreed to hide her for a fee. Drawings were the only way for the talkative child, not yet able to write, to communicate with her parents. After Nazi Germany invaded Poland in September 1939, Ilona with her parents, Salomon and Gusta fled Krakow for Soviet controlled Lvov (Lviv, Ukraine). When Germany invaded the Soviet Union in 1941, the family was confined in the Jewish ghetto where Salomon worked as an accountant at a meat rendering factory owned by the Wehrmacht. In spring 1942, fearing the liquidation of the ghetto, Salomon arranged a hiding place for them outside the ghetto with a former employee, Jozef Jozak. However, they would not hide Ilona because he thought it would be too hard to conceal a lively young girl. Ilona was smuggled to the countryside and placed in hiding as a Christian child with the Seremets. After 6 months, Salomon could no longer pay for her care, so Ilona was brought back to live in their hiding place, without the knowledge of the Jozak family. Ilona had to stay most of this time locked in a closet with only her drawings and medical textbooks left by a previous tenant. The family lived in hiding until the Soviet Army liberated the city in July 1944. When the war ended in May 1945, they returned to Krakow.
Conditions Governing Access
No restrictions on access
Conditions Governing Reproduction
No restrictions on use
Physical Characteristics and Technical Requirements
Light brown paper folded in half vertically to form a card with a faded red ribbon tied around the center. The cover has watercolor drawings and inside on the right is a message in Polish handprinted in block letters in black ink with pencil underwriting. The front cover depicts a room interior with a blonde haired woman in a green dress and a dark haired girl in a white sailor dress with a present seated in a wingback chair, blue with orange flowers. To the right is a small circular table with a fringed red cloth and a large pink vase with a bouquet. The upper right corner has diagonal decorations: from the top, a green garland, a string of flowers, including blue pansies, pink tulips, and red carnations, the word MAMUSI, flowers, a garland. There is yellow shading behind the chair and red marks suggest a carpet. The back cover has an image of the emblem of Israel, a blue coat of arms with a 7-branched candelabrum, flanked by 2 tall laurel branches with the Hebrew for Israel below. The drawing is in a hinged, window pane mat with a cover.
cover, diagonally in upper right, blue paint, pencil underwriting : MAMUSI For Mommy] cover, lower left corner, diagonally, black ink over red pencil : Kraków / 29. V 49 / G with I through it [monogram for Ilona Goldman] inside, center, printed in black letters, pencil : Kochana Mamusiu! / W dniu Twego Świeta / Źycze Ci DuŹo Zdrowia, / Śzczęścia i Radości / Twoja Córeczka / ILONKA [Dear mummy / [?] of thy holy / I wish you good health, / Happiness and Joy / Your Daughter / Ilonka] inside, bottom, black ink : Kraków, Dnia, 29. Maja 1949r. / DZIEŃ MATKI [Krakow, Day May 29, 1949 year / MOTHER'S DAY] reverse, within shield, gray paint over blue : שראל reverse, upper left corner, pencil : 12 [Hebrew cursive ]
People
- Frankel, Alona.
Subjects
- Jewish children--Poland--Biography.
- Holocaust, Jewish (1939-1945)--Poland--Personal narratives.
- Jews--Persecutions--Ukraine--Lviv--Biography.
- Hidden children (Holocaust)--Poland--Biography.
- Jewish children in the Holocaust--Poland--Biography.
Genre
- Object
- Art