Sheepskin vest worn by a Jewish girl living in hiding

Identifier
irn35859
Language of Description
English
Alt. Identifiers
  • 2008.105.2
  • 2019.574
Dates
1 Jan 1939 - 31 Dec 1944
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 25.750 inches (65.405 cm) | Width: 24.000 inches (60.96 cm)

Creator(s)

Biographical History

Rivka Chowles was born on February 10, 1928 in Vilna, Poland (now Vilnius, Lithuania) to Chava Leah Bruskin and Moshe Chwoles. She had five siblings: Rafael, b. 1913, Sonja, b. 1918, Helka, b. 1922, Rochhka (Rachel), b. 1925, and Chlowa (Lalka), b. 1930. The Chowles family were orthodox Jews and attended synagogue regularly. Rivka attended a public elementary school and the Technician High School where she studied decoration, composition and painting. Her brother, Rafael, was recognized as an extremely gifted artist at an early age and by 1940, was Director of the Vilna Art School. In the fall of 1939, the Soviet Union occupied this region of Poland as part of the Nazi-Soviet Pact, and in October, transferred control of the region to Lithuania. Persecution of the Jewish population sharply increased. On June 24, 1941, Vilna was occupied by the Germans and their Einsatzgruppen [killing squads] with the enthusiastic support of the Lithuanians murdered thousands of Jews. The Chwoles family and the other Jews of the town were relocated to the newly established Vilna ghetto in September of 1941. Rivka and her sisters served as forced labor in the airfields. Helka managed to escape and worked for local Christians. However, neighbors became suspicious of her because they thought that she was working too hard for someone they knew was not being paid. The neighbors called the authorities and Helka was arrested. Rivka and Sonja escaped the ghetto using a borrowed identification card. Rivka left against the wishes of her father. He was extremely religious and told the family that everything would be fine and that God would save them. But one day, when their father went to pray, their mother told them to flee. After leaving the ghetto with the aid of the ID card, they gave it to a friend to use to escape. While waiting for her to return, they stayed with another Christian friend. Their friend never returned and they had to find another source of food and lodging. For a while, they were given refuge in the workshop of a glazier, until he said it was too dangerous and they had to leave. The girls remembered a childhood maid whom they thought would help and went to her. She provided some black bread with worms and hot water; however, she would not let the girls stay with her. They returned to the workshop that night. They next day they heard that the ghetto was being liquidated, so they fled to a nearby village, Kalisz(?). A friend, Itzik Segal, worked as a furrier there and they thought he might provide some help; however, he also turned the girls away. Not long after this, Rivka and Sonja were arrested in the street by the Lithuanians and put into prison. Sonja managed to convince the police that they were Polish and because they did not look Jewish, they were released. Posing as Christians selling household goods, Rivka and Sonja returned to Kalisz and asked Itzik for help. He let them stay for a week this time. They then found an empty apartment and moved there using false papers they obtained through an acquaintance, Maruissia Wojszwillo. They decided that they would be safer elsewhere, so they moved to another village and found work as maids. Rivka's close friend, Lilka, helped them register as Christians with the authorities. The registration had to be regularly renewed and the trips back and forth were dangerous. This village was very poor and the Poles they were working for were not able to pay them. So the girls moved to another village, Sokoloti(?), where they worked in the fields and took care of livestock. The area was liberated by the Soviet Army in July 1944. Rivka and Sonja returned to Vilna and eventually were reunited with Rafael. He had been in Minsk, Belarus, for an art show in 1941 when the Germans occupied Vilna and had been unable to return. He had been evacuated to Krasneya Baki, Russia, where he was drafted into the Soviet Army. He spent most of the war working on railroad construction crews for the army. After the war ended in 1945, he claimed that he was not Jewish, and was able to return to Vilna. Their other family members had all been killed during the Holocaust.

Archival History

The sheepskin vest was donated to the United States Holocaust Memorial Museum in 2008 by Maria Rivka Chwoles Lichtenfeld.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Maria Rivka Chwoles Lichtenfeld

Scope and Content

Vest worn by 11 year old Rivka Chwoles while imprisoned in the Vilnius ghetto and while living in hiding after her escape. She removed the sleeves to make it a vest. Her father gave her the coat before the family was relocated to the ghetto with the other Jews in Vilna (Wilno), Poland (Vilnius, Lithuania) by the Lithuanians after the Soviets turned control of the region over to them in October 1939. Rivka and her sister, Sonja, escaped the ghetto around 1941 and survived the rest of the war under assumed identities as Christian Poles. All their family, except for one brother, Rafael, perished.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

No restrictions on use

Physical Characteristics and Technical Requirements

Sheepskin vest/jacket with fur lining and trim; the sleeves have been removed. There are half-circle pockets with fur trim on each side near the bottom of the front opening. A plastic button is on the right side of the front opening; a thread loop is on the left. There are 3 metal clasps on the left inside front opening. On the back are 2 side and shoulder seams with remnants of “x” shaped stitching.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.