Gouache painting of a prisoner at the Majdanek concentration camp

Identifier
irn12759
Language of Description
English
Alt. Identifiers
  • 1998.60.1
Dates
1 Jan 1943 - 31 Dec 1943
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 7.130 inches (18.11 cm) | Width: 4.610 inches (11.709 cm) | Depth: 11.690 inches (29.693 cm)

Creator(s)

Biographical History

Eugeniusz Baranowski was boen in 1916 in Poland. In 1937, he graduated from the Department of Decorative Arts & Artistic Industry at the State Technical School of Lvov. In September1939, when Germany invaded Poland, he fought with the Polish Army. He was later arrested by the Germans along with his wife, Stefania and his brother, Tadeusz. After being held in several prisons, he was sent to Majdanek concentration camp in 1943. Another brother and his father were already imprisoned at Majdanek and the father and Tadeusz eventually perished in the camps. The war ended when Germany surrendered in May 1945. Eugeniusz survived the camps, but his spine was permanently damaged from injuries he suffered as a prisoner. From 1946 to 1950, he taught sculpture at an art school in Zamosc. From 1950 to 1956, he served as an instructor at a state art high school in Lublin. In 1956, he received a graduate degree in sculpture from the Academy of Art in Warsaw. He agreed to only two exhibitions of his work during his lifetime. Eugeniusz, 72, died in 1988.

Archival History

The painting was donated to the United States Holocaust Memorial Museum in 1998 by Irena Hochman.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Irena Hochman

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

Color painting on brown paper of a naked, emaciated man with number "3-1/2" painted on his chest; frontal view.

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.