Rollin Kirby political cartoon comparing US isolationism to the Spanish Inquisition

Identifier
irn107271
Language of Description
English
Alt. Identifiers
  • 2015.108.1
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

overall: Height: 17.000 inches (43.18 cm) | Width: 14.250 inches (36.195 cm)

Creator(s)

Biographical History

Rollin Kirby was born in Galva, Illinois, on September 4, 1875, to George Washington Kirby and Elizabeth Maddox. His father had a shoe store. When Kirby was nineteen, he moved to New York to study painting at the Art Students League. He then went to Paris, France, to study at the Academie Julian and the Ecole Des Beaux Arts. He had a gallery show of his paintings at the National Academy in New York when he returned, but in 1901, in order to make a living, he turned to commercial art. He became a magazine illustrator, publishing work in Colliers, Harper’s, Scribner’s, and other popular publications. In 1903, he married Estelle Carter and they had one daughter. He began to focus on cartoon drawing in 1911, as he was tiring of work he found routine. By 1914, his editorial cartoons were appearing daily in Joseph Pulitzer’s New York World. He gained fame as a political cartoonist while working for the New York World from 1913-1931. Following World War I (1914-1918) he was recognized as America’s leading political cartoonist and won three Pulitzer Prizes in 1922, 1925, and 1929; his 1922 award was the first award in this category created to recognize the importance of political and social satire in the US. Kirby was known for his bold and deceptively simple graphic style and for the clever and inventive symbolism he used in his images. He stayed on in 1931 when the New York World merged with The World Telegram, but in 1939 he went to the New York Post, where he remained until 1942. He continued creating visual commentaries on daily life and his work appeared in Look magazine and The New York Times Sunday Magazine. He stood for the common man and supported civil rights and the New Deal against such forces as big business, corrupt politicians, Hitler and fascism, and the Ku Klux Klan. He was a cartoonist for whom the idea mattered most. He also wrote articles, poetry, and plays. Kirby, age 73, died on May 8, 1952 in New York City, New York.

Archival History

The drawing was acquired by the United States Holocaust Memorial Museum in 2015.

Acquisition

United States Holocaust Memorial Museum Collection. The acquisition of this collection was made possible by the Crown Family.

Funding Note: The acquisition of this artifact was made possible by the Crown Family.

Scope and Content

Editorial cartoon, Torquemada, created by Rollin Kirby and probably published in the New York Post. The drawing portrays the isolationist US Senator Gerald Nye as a modern day Torquemada, the Grand Inquisitor who cleansed Spain of Jews in the 15th century. In Kirby's portrayal, Nye, in judicial robes, is accusing a movie producer of hating Hitler. Nye chaired a committee in the 1930s that sought to tie US entry into World War I (1914-1918) to the influence of war profiteers. He was strongly opposed to US involvement in any foreign wars and was a drafter of the 1936 Neutrality Act forbidding arms shipments to any belligerent country. He won re-election in 1938 and was appointed to the Senate Foreign Relations Committee where he advocated non-intervention. He also formed the anti-war America First Committee. In 1941, he accused Hollywood of acting under the influence of Jews and communists and inciting war fever.

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

Cartoon with an image of man in black robe labeled "Nye" seated in a chair on right saying "I accuse you of hating Hitler!" while pointing at man dressed in white white labeled "Movie Producer" being held by another robed man. A third man in a black robe wearing glasses stands next to the seated man. There is a scroll with the text, "Politics/Race/Hatred" on the floor next to the chair.

lower left corner, handwritten : Hrols [?] Ed. page Thursday lower right corner : 9-11-41

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.