Nazi Germany trims: Autobahn, HJ, Woolworth's, zeppelin, "Der Stuermer", exhibitions

Identifier
irn1003994
Language of Description
English
Alt. Identifiers
  • 2003.214
  • RG-60.4484
Dates
1 Jan 1937 - 31 Dec 1937
Level of Description
Item
Languages
  • Silent
Source
EHRI Partner

Creator(s)

Biographical History

Julien Hequembourg Bryan (1899-1974) was an American documentarian and filmmaker. Bryan traveled widely taking 35mm film that he sold to motion picture companies. In the 1930s, he conducted extensive lecture tours, during which he showed film footage he shot in the former USSR. Between 1935 and 1938, he captured unique records of ordinary people and life in Nazi Germany and in Poland, including Jewish areas of Warsaw and Krakow and anti-Jewish signs in Germany. His footage appeared in March of Time theatrical newsreels. His photographs appeared in Life Magazine. He was in Warsaw in September 1939 when Germany invaded and remained throughout the German siege of the city, photographing and filming what would become America's first cinematic glimpse of the start of WWII. He recorded this experience in both the book Siege (New York: Doubleday, Doran, 1940) and the short film Siege (RKO Radio Pictures, 1940) nominated for an Academy Award in 1940. In 1946, Bryan photographed the efforts of the United Nations Relief and Rehabilitation Agency in postwar Europe.

Scope and Content

TRIMS. Signs for gasoline - "Gro Essen" and "Flug Essen." Autobahn. Mechanics. "Gesperrt" sign on Autobahn. Construction. Gas station. Construction, Nazi flags in BG. Driving on Autobahn. Mechanic working on coal/rail engine. Building construction, workers with cart. Autobahn. 01:02:12 City, HJ march in FG, church in BG. BDM girls marching street side, women on steps, gardening. Soup. Nazi poster. Autobahn. Leica factory. CUs, roof. HAS, market, vegetables, eggs. CUs, peasant woman selling wares, flowers. 01:04:06 CUs, boots. 01:04:17 Amusement park rides, spectators, children. Woolworth shop windows. Hitler posters. HJ boys looking at NS propaganda postcards. Coal. Mechanics working on engines. Building construction. WS smoke stacks, factory. Airship construction, CUs, worker. Swastika on wing of plane. HAS, planes flying overhead, Nazi party rally, air show, military review with tanks. Woman selling nuts at market, smiling at camera, pigs, potatoes at market. City street. Civilians reading "Reichsnaehrstand" poster. "Blut und Boden." Farming, digging potatoes, raking hay. Painted murals on church. INT, family eating, reading newspaper. "Kraft durch Freude" on shop window. Castle in mountains. Men leaning against railing over river. Crowd getting on ferry. Town streets. Children eating, playing in nursery, celebrating birthday party in yard. 01:11:36 Boys looking at NS posters on fence, "Der Stuermer". HJ boys, motorbike, reading. Hang gliding. 01:12:46 In city square, large crowd of civilians gathered, dancing, band, Nazi banners, tables. Crowd heiling in front of church. Huge crowd on stands in main city square, VCU church (Nuremberg? Munich?), bicycles in city streets, cafe tables. Children with backpacks walking home from school. 01:15:41 BDM marching in between large statues, CUs. Entrance to Industry exhibit. INTs, spectators looking at exhibitions, tires. 01:17:26 Children gardening, model town. Automat, stone coffee pot, street scenes, café, waiter, shop windows. HAS, church steeple. 01:19:17 Farming and farming, hay.

Note(s)

  • Additional photographs are available in the USHMM Photo Archives. Similar material exists in the Julien Bryan Collection at the Library of Congress. See Film IDs 210 and 211. Bryan filmed in Germany in 1937 for the March of Time, but retained certain material and rights. He donated this part of the collection to the Library of Congress. Some film shot at the same time appears in the March of Time release, "Inside Nazi Germany." See Raymond Fielding's chapter on this title, in the book "The March of Time 1935-1951."

Subjects

Places

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.