Dachau at liberation; Stevens

Identifier
irn1002425
Language of Description
English
Alt. Identifiers
  • RG-60.3196
Dates
1 Jan 1945 - 31 Dec 1945
Level of Description
Item
Languages
  • Silent
Source
EHRI Partner

Creator(s)

Biographical History

George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer. During World War II, Stevens joined the U.S. Army Signal Corps and headed a film unit from 1943 to 1946 under General Eisenhower. His unit shot footage documenting D-Day — including the only Allied European Front color film of the war — the liberation of Paris and the meeting of American and Soviet forces at the Elbe River, as well as horrific scenes from the Duben labor camp and the Dachau concentration camp. Stevens also helped prepare the Duben and Dachau footage and other material for presentation during the Nuremberg Trials. In 2008, his footage was entered into the U.S. National Film Registry by the Librarian of Congress as an "essential visual record" of World War II.

The Special Coverage Unit (SPECOU) was placed under the control of the Supreme Headquarters' Allied Expeditionary Force (SHAEF). The SPECOU consists of 45 people: writers like Ivan Moffat, William Saroyan and Irwin Shaw; cameramen like Dick Hoar, Ken Marthey, William Mellor, Jack Muth; sound operators as Bill Hamilton, who comes from Columbia, assistant directors, as Holly Morse, who has worked with Hal Roach.

Scope and Content

Jeep in front of what appears to be a garage building with a swastika over it, sign reads: "Quarantine Typhus, This concentration camp is off limits to all civilian and military personnel by order of General Patch, C.G. 7th Army." The jeep Toluca in front of a yellow sign that reads: "Dachau." A building is marked: "Burger Brau-Keller." Stevens on bridge, opening a pack of cigarettes.

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This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.