Eichmann Trial -- Session 114 -- Closing statement of the Defense

Identifier
irn1001917
Language of Description
English
Alt. Identifiers
  • 1999.A.0087
  • RG-60.2100.236
Level of Description
Item
Languages
  • English
  • German
  • Hebrew
Source
EHRI Partner

Creator(s)

Biographical History

Emil Knebel was a cinematographer known for Andante (2010), Adam (1973), and Wild Is My Love (1963). He was one of the cameramen who recorded daily coverage of the Eichmann trial in Jerusalem (produced by Capital Cities Broadcasting Corp and later held academic positions in Israel and New York teaching filmmaking at universities. Refer to CV in file.

Scope and Content

Session 114. The courtroom is empty, and people mill about. 00:05:26 Judges enter, telling Dr. Servatius to continue. He speaks in German, the tape is interrupted before it is translated. 00:08:06 Tape jumps, Servatius says that Geshke and Winkelmann had precedence over Eichmann where relevant. Servatius says that the SS orders were meant to be followed, regardless of Eichmann's orders. 00:10:29 Tape is interrupted by a slate. The implementation of the extermination is questioned. Servatius says that orders did not arrive through Eichmann's office, and any complaints, if there were any, went to Eichmann's superiors. Servatius and the President of Court begin debating about a reference Servatius makes. He wants a full citation regarding what Servatius says regarding a British field manual. He argues that military laws said that soldiers are not responsible for the actions of their superiors. 00:25:05 Tape jumps. Servatius says that Eichmann rejected the extermination of the Jews personally, but was forced to stay by his post. Servatius says that disobedience was nowhere near as possible as the witnesses maintain. If it was, resistance fighters would have had a better opportunity for success.

Note(s)

  • See official transcripts, published in "The Trial of Adolf Eichmann", Vol. I-V, State of Israel, Ministry of Justice, Jerusalem, 1994. Also available online at the Nizkor Project.

Subjects

Places

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.