Berlin street scenes: Soviet Embassy, signs

Identifier
irn1000710
Language of Description
English
Alt. Identifiers
  • 1991.259.1
  • RG-60.0386
Dates
1 Jan 1937 - 31 Dec 1937
Level of Description
Item
Languages
  • Silent
Source
EHRI Partner

Creator(s)

Biographical History

Julien Hequembourg Bryan (1899-1974) was an American documentarian and filmmaker. Bryan traveled widely taking 35mm film that he sold to motion picture companies. In the 1930s, he conducted extensive lecture tours, during which he showed film footage he shot in the former USSR. Between 1935 and 1938, he captured unique records of ordinary people and life in Nazi Germany and in Poland, including Jewish areas of Warsaw and Krakow and anti-Jewish signs in Germany. His footage appeared in March of Time theatrical newsreels. His photographs appeared in Life Magazine. He was in Warsaw in September 1939 when Germany invaded and remained throughout the German siege of the city, photographing and filming what would become America's first cinematic glimpse of the start of WWII. He recorded this experience in both the book Siege (New York: Doubleday, Doran, 1940) and the short film Siege (RKO Radio Pictures, 1940) nominated for an Academy Award in 1940. In 1946, Bryan photographed the efforts of the United Nations Relief and Rehabilitation Agency in postwar Europe.

Scope and Content

Berlin street. Man reads sign posted by entrance to building: "Der Botschaft der Union der S.S.R. in Deutschland" [The Embassy of the USSR in Germany]. Also seen, sign repeated in Cyrillic. Shots of city plaza, facade of modern building. Views of streets and cars moving along. LS, entrance to mansion (embassy?) guarded by soldier with rifle. Signpost: "Wilhelmplatz" and "Wilhelmstrasse."

Note(s)

  • See also Film ID 3012 USHMM Bryan Collection. Additional photographs are available in the USHMM Photo Archives.

Subjects

Places

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.