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Displaying items 1,181 to 1,200 of 1,278
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Language of Description: English

  1. Theresienstadt ghetto-labor camp scrip, 5 kronen note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 5 kronen, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institution...

  2. Theresienstadt ghetto-labor camp scrip, 10 kronen note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 10 kronen, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institutio...

  3. Theresienstadt ghetto-labor camp scrip, 20 kronen note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 20 kronen, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institutio...

  4. Theresienstadt ghetto-labor camp scrip, 50 kronen note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 50 kronen, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institutio...

  5. Theresienstadt ghetto-labor camp scrip, 1 krone note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 1 krone, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institutions...

  6. Theresienstadt ghetto-labor camp scrip, 2 kronen note, acquired by a Polish Jewish refugee and activist

    1. Emanuel Scherer collection

    Scrip, valued at 2 kronen, distributed in Theresienstadt (Terezin) ghetto-labor camp, and acquired post-war by Emanuel Scherer, a Jewish refugee and activist from Krakow, Poland. In Theresienstadt, currency was confiscated from inmates and replaced with scrip, which could only be used in the camp, and had no real monetary value. As a law student at Jagiellonian University in Krakow, Emanuel joined the Jewish Labor Bund. It was a social-democratic organization devoted to strengthening Yiddish culture and socialist values through their network of schools and cultural and fraternal institution...

  7. Painting of an outdoor domestic scene given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183412
    • English
    • 1947
    • overall: Height: 21.000 inches (53.34 cm) | Width: 21.750 inches (55.245 cm) | Depth: 1.625 inches (4.128 cm) pictorial area: Height: 15.000 inches (38.1 cm) | Width: 15.750 inches (40.005 cm)

    Painting of a scene at the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased it...

  8. Painting of a building given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183411
    • English
    • 1947
    • overall: Height: 21.000 inches (53.34 cm) | Width: 22.375 inches (56.833 cm) | Depth: 1.375 inches (3.493 cm) pictorial area: Height: 14.875 inches (37.783 cm) | Width: 16.375 inches (41.593 cm)

    Painting of entrance gates to the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ce...

  9. Painting of an estate given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183409
    • English
    • 1947
    • overall: Height: 17.375 inches (44.133 cm) | Width: 23.000 inches (58.42 cm) pictorial area: Height: 15.250 inches (38.735 cm) | Width: 20.750 inches (52.705 cm)

    Painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operat...

  10. Watercolor painting of a children’s home given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of the view from balcony of Dagmar Kiwit’s room, painted by her father, artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war, worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNR...

  11. Watercolor painting of a street scene given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of a bridge and road to the village of Unterschwarzach, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and empl...

  12. Political cartoon depicting Benito Mussolini created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Italian Prime Minister Benito Mussolini, created by American journalist Albert E. Carter while writing for the Chattanooga Times Free Press in Tennessee, from 1930-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions imposed by the Treaty of Versailles (1919). These policy ...

  13. Political cartoon depicting Éamon de Valera holding the Éire Constitution created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Prime Minister of Ireland Éamon de Valera, created by American journalist Albert E. Carter while he was the Sunday editor and foreign affairs columnist for the Chattanooga Times Free Press in Tennessee, from 1936-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions imposed...

  14. Political cartoon depicting Jawaharlal Nehru created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Indian politician and supporter of independence Jawaharlal Nehru, created by American journalist Albert E. Carter while he was the Sunday editor and foreign affairs columnist for the Chattanooga Times Free Press in Tennessee, from 1936-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming th...

  15. Political cartoon depicting Chiang Kai-shek created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Chinese Chairman of the Military Affairs Commission Chiang Kai-shek, created by American journalist Albert E. Carter while he was the Sunday editor and foreign affairs columnist for the Chattanooga Times Free Press in Tennessee, from 1936-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming...

  16. Political cartoon depicting Agustín Justo created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Argentinian President Agustín Justo (1932-1938), created by American journalist Albert E. Carter while he was the Sunday editor and foreign affairs columnist for the Chattanooga Times Free Press in Tennessee, from 1936-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions im...

  17. Political cartoon depicting Prince Saionji Kinmochi created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting former Japanese Prime Minister and the nation’s last elder statesman, Prince Saionji Kinmochi, created by American journalist Albert E. Carter while he was the Sunday editor and foreign affairs columnist for the Chattanooga Times Free Press in Tennessee, from 1936-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist ...

  18. Political cartoon depicting Lázaro Cárdenas created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Mexican President Lázaro Cárdenas, created by American journalist Albert E. Carter while writing for the Chattanooga Times Free Press in Tennessee, from 1930-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions imposed by the Treaty of Versailles (1919). These policy change...

  19. Political cartoon depicting Maksim Litvinov created by an American journalist

    1. Albert E. Carter collection

    Political cartoon depicting Soviet Commissar for Foreign Affairs Maksim Litvinov, created by American journalist Albert E. Carter while writing for the Chattanooga Times Free Press in Tennessee, from 1930-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions imposed by the Treaty of Versailles (1919). ...

  20. Political cartoon depicting terrorism in Europe created by an American journalist

    1. Albert E. Carter collection
    • United States Holocaust Memorial Museum
    • irn617438
    • English
    • 1930-1943
    • overall: Height: 15.750 inches (40.005 cm) | Width: 14.500 inches (36.83 cm) pictorial area: Height: 13.000 inches (33.02 cm) | Width: 12.000 inches (30.48 cm)

    Political cartoon depicting European terrorism as a giant, created by American journalist Albert E. Carter while writing for the Chattanooga Times Free Press in Tennessee, from 1930-1943. He often punctuated his articles with cartoons depicting global news and international leaders. Albert, a college senior, was working as a reporter for the Chattanooga Times when Adolf Hitler was appointed Chancellor of Germany in January 1933. During the mid-1930s, Germany followed a revisionist policy aimed at overcoming the restrictions imposed by the Treaty of Versailles (1919). These policy changes pr...