Search

Displaying items 301 to 320 of 1,285
  1. Set of four manicure tools in a red case brought by a German Jewish girl on a Kindertransport

    1. John and Gisela Marx Eden collection
    • United States Holocaust Memorial Museum
    • irn90827
    • English
    • a: Height: 3.500 inches (8.89 cm) | Width: 5.750 inches (14.605 cm) | Depth: 0.750 inches (1.905 cm) b: Height: 4.000 inches (10.16 cm) | Width: 1.750 inches (4.445 cm) | Depth: 0.375 inches (0.953 cm) c: Height: 4.000 inches (10.16 cm) | Width: 0.375 inches (0.953 cm) d: Height: 5.000 inches (12.7 cm) | Width: 0.500 inches (1.27 cm) | Depth: 0.250 inches (0.635 cm) e: Height: 3.625 inches (9.208 cm) | Width: 1.625 inches (4.128 cm) | Depth: 0.125 inches (0.318 cm)

    Cuticle cutters and pusher, a nail file, and manicure scissors in a fitted red leather case brought by 14 year old Gisela Marx on a Kindertransport from Dulken, Germany, to Great Britain in August 1939. Her parents Erna and Leopold purchased the manicure set for her to take on her journey. The Nazi regime, in power since 1933, persecuted the Jewish population. Leopold, a former diplomat and WWI veteran, and Erna, a member of a wealthy, landowning family, thought their status would protect them, but in 1939, they decided to send Gisela to safety. The friend paid to care for her never showed ...

  2. Royal Air Force sweetheart's wings pin acquired by a Czech Jewish Kindertransport refugee

    1. John and Gisela Marx Eden collection

    Sterling silver Royal Air Force sweetheart's wings pin acquired by 17 year old Hans Eibuschitz, a Jewish Czech refugee, while he was in training with the British Royal Air Force from about 1944 to 1945. A sweetheart pin was given to loved ones by soldiers, and were not issued by the RAF. After Germany invaded and annexed Czechoslovakia in March 1939, 12 year old Hans, and his 9 year old brother Steven were sent to Great Britain on a Kindertransport. Hans was placed in private boarding schools. After graduation, he attended the London School of Economics to study actuarial science. In 1944 o...

  3. Insert poster for the film “Sword in the Desert” (1949)

    1. Cinema Judaica collection

    U.S. insert poster for the film, “Sword in the Desert,” released in the United States in August 1949. Insert posters were a popular size of film posters, often framed and used in special, small displays within a theater lobby. The film follows an American cargo ship captain who finds himself stranded in a Jewish settlement after smuggling a group of illegal Jewish immigrants to British-controlled Palestine. Initially self-interested and unsympathetic to the refugees, the captain has a change in heart after he is captured, imprisoned, and later escapes with them. “Sword in the Desert” was th...

  4. Poster for the film “Sword in the Desert” (1949)

    1. Cinema Judaica collection

    U.S. one sheet poster for the film, “Sword in the Desert,” released in the United States in August 1949. The film follows an American cargo ship captain who finds himself stranded in a Jewish settlement after smuggling a group of illegal Jewish immigrants to British-controlled Palestine. Initially self-interested and unsympathetic to the refugees, the captain has a change in heart after he is captured, imprisoned, and later escapes with them. “Sword in the Desert” was the first film made in Hollywood that depicted the Jewish struggle to establish the state of Israel in May 1948. Britain was...

  5. Scene still for the film “The Illegals” (1948)

    1. Cinema Judaica collection

    American scene still for the film, “The Illegals,” which was released in the United States in July 1948. The docudrama depicts the attempted illegal immigration of Jewish refugees from Poland, through Czechoslovakia, Austria, Germany, and Italy to Palestine. Before reaching its destination, the ship is captured by the British and redirected to Cyprus. “The Illegals” was filmed on-location over a six-month period, about two months before the end of the British Mandate for Palestine and the establishment of the state of Israel in May 1948. Britain had been given control of Palestine following...

  6. English-language international herald for the film “The Last Chance” (1945)

    1. Cinema Judaica collection

    British-Indian herald for the film, “The Last Chance,” originally released in March 1945 in Switzerland as, “Die Letzte Chance.” Heralds were small, inexpensive flyers usually included as part of a film’s press kit. The film won the Grand Prize and the International Peace Award at the Cannes Film Festival in 1946, the first after the end of the war. Great Britain ruled three-fifths of the Indian subcontinent from 1858 to 1947, and during World War II, received monetary and military support from their allies in the region. The film is set in German-occupied Italy in 1943, and focuses on thre...

  7. Wilhelm Baumann papers

    1. Wilhelm Bauman collection

    The Wilhelm Baumann papers consist largely of correspondence, immigration documents, educational records, identification documents, newspapers, and ephemera; related to the emigration of Wilhelm Baumann and his parents from their native Austria in 1939, his life in the United Kingdom and subsequent classification as an enemy alien, his subsequent deportation to Australia in 1940 on the Dunera, and his experiences in two internment camps in New South Wales and Victoria (Camp Hay and Camp Tatura). The collection also contains an extensive selection of his correspondence with other German and ...

  8. Painting of an outdoor domestic scene given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183412
    • English
    • 1947
    • overall: Height: 21.000 inches (53.34 cm) | Width: 21.750 inches (55.245 cm) | Depth: 1.625 inches (4.128 cm) pictorial area: Height: 15.000 inches (38.1 cm) | Width: 15.750 inches (40.005 cm)

    Painting of a scene at the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased it...

  9. Painting of a building given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183411
    • English
    • 1947
    • overall: Height: 21.000 inches (53.34 cm) | Width: 22.375 inches (56.833 cm) | Depth: 1.375 inches (3.493 cm) pictorial area: Height: 14.875 inches (37.783 cm) | Width: 16.375 inches (41.593 cm)

    Painting of entrance gates to the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ce...

  10. Painting of a building complex given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183410
    • English
    • overall: Height: 19.250 inches (48.895 cm) | Width: 27.125 inches (68.898 cm) | Depth: 1.625 inches (4.128 cm) pictorial area: Height: 15.250 inches (38.735 cm) | Width: 23.250 inches (59.055 cm)

    Painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, painted by Henryk Michniak and given to Rachel Greene Rottersman, director of the Children’s Center. Henryk (or Henry) Michniak arrived at Aglasterhausen in November 1945, at age 16. While at Aglasterhausen, Henryk became known for his artwork, including cartoon characters painted on the walls of the nursery. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) popu...

  11. Painting of an estate given to an UNRRA official

    1. Rachel Greene Rottersman collection
    • United States Holocaust Memorial Museum
    • irn183409
    • English
    • 1947
    • overall: Height: 17.375 inches (44.133 cm) | Width: 23.000 inches (58.42 cm) pictorial area: Height: 15.250 inches (38.735 cm) | Width: 20.750 inches (52.705 cm)

    Painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, owned by the director, Rachel Greene Rottersman. The children’s center opened in October 1945, and employed UNRRA personnel, skilled staff from the displaced persons (DP) population, and local German maintenance workers. The children lived in a structured environment, received classroom instruction, participated in music and arts, enjoyed planned recreation time, and were responsible for regular chores. The UNRRA ceased its DP operat...

  12. Watercolor painting of a children’s home given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of the view from balcony of Dagmar Kiwit’s room, painted by her father, artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war, worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNR...

  13. Watercolor painting of a children’s home given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting by Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. The painting depicts the third floor balconies of the living quarters for Rachel and Joseph Rottersman and Dr. Dagmar Kiwit. These buildings also housed the infant nursery, a gym, and a chapel. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the ...

  14. Watercolor painting of farm fields given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of farm fields in the German countryside, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA per...

  15. Watercolor painting of a street scene given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of a bridge and road to the village of Unterschwarzach, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and empl...

  16. Painting of a large estate given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach (now Schwarzach), Germany, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of Aglasterhausen. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the war worked as a Medical Officer at Aglasterhausen Children’s Center. The children’s center opened in October 1945, and employed UNRRA personnel...

  17. Ariel S. Cardoso papers

    1. Ariel S. Cardoso collection

    The Ariel S. Cardoso papers include identification papers, military papers, and photographs documenting Cardoso’s postwar emigration to Palestine and his military service in the Jewish Brigade. Identification papers include a displaced persons identification certificate, an Israel Labor Federation membership booklet, an Israeli identification card and passport, a driver’s license, a medical insurance booklet, and Israeli ration cards. Military papers include a copy of Cardoso’s attestation upon joining the Palestine regiment, his service and pay book, and his discharge book. Photographs dep...

  18. Kenneth and Margaret Lowe papers

    1. Kenneth and Margaret Lowe collection

    The papers consist of a German passport ("Reisepass") issued to Kurt Löwenstein in January 1939 in Düsseldorf, Germany, and one British travel document issued in London, England, to Margaret Pappenheimer [donor], a refugee from Nazi Germany.

  19. Watercolor painting of a courtyard given to an UNRRA official

    1. Rachel Greene Rottersman collection

    Watercolor painting of a courtyard in the city of Markgröningen, Germany, painted by artist Richard Kiwit (or Kivit) and gifted to Rachel Greene Rottersman, director of the United Nations Relief and Rehabilitation Administration (UNRRA) Aglasterhausen Children’s Center, in Unterschwarzach, Germany. Markgröningen is a city located 20 kilometers northwest of Stuttgart, and about 60 kilometers south from Aglasterhausen. Richard Kiwit was a well-known Estonian illustrator who moved to Germany in 1944. His daughter, Dagmar Elisabeth Kiwit (later Moder), was a pediatrician, and following the wa...