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Displaying items 9,641 to 9,660 of 10,320
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  1. Necklace of found materials made in a camp by an Austrian Jewish woman

    1. Renee Konstandt Lang collection

    Necklace created by Renee Konstandt, 18, from materials she saved while imprisoned in Auschwitz and other camps during and immediately after the war ended in May 1945. The ID tag used in the necklace was given to her by a friend in Auschwitz. In October 1941, Renee's parents were deported from Vienna, Austria, to the Jewish ghetto in Łódź, Poland. Due to a clerical error, Renee and her older brother, Raoul, 20, were not put on the transport. They were deported in January 1941 to Theresienstadt ghetto-labor camp. In May 1944, they were sent to Auschwitz, where they were separated. Renee was ...

  2. Margot Schwarzschild Wicki papers

    1. Margot Schwarzschild Wicki collection

    The Margot Schwarzschild Wicki papers contain documents and photographs relating to her family’s stay at the Gurs and Rivesaltes camps, and their eventual rescue by the Swiss Red Cross. These documents are primarily identification papers, including certificates of internment, baptism and vaccination documents, and identity cards. The material from the Schwarzschild’s time with the Swiss Red Cross includes invitations to join, correspondence, and a bound hand-book given by the children to the Elsa Ruth. The post-war documents include return visits that Margot made to Gurs, and an anniversary...

  3. War Threatens Drypoint etching by Lea Grundig of dead bodies wrapped around tank tread

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521158
    • English
    • 1973
    • pictorial area: Height: 9.625 inches (24.448 cm) | Width: 9.875 inches (25.083 cm) overall: Height: 16.500 inches (41.91 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, Der Tank, created by Lea Grundig in Nazi Germany in 1936. This is number 7 from the series, Krieg Droht (War Threatens). Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released and...

  4. Flight Begins Under the Swastika Drypoint etching by Lea Grundig of people trapped and running in circles

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521159
    • English
    • 1934
    • pictorial area: Height: 9.500 inches (24.13 cm) | Width: 13.000 inches (33.02 cm) overall: Height: 16.500 inches (41.91 cm) | Width: 21.000 inches (53.34 cm)

    Intaglio print, Die flucht Beginnt, created by Lea Grundig in 1934 in Nazi Germany. It is from the series, Unterm Hakenkreuz. It depicts a huge crowd of figures running in panicked, chaotic circles. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the ...

  5. Stuermer masks Drypoint etching by Lea Grundig of a group of people hiding their faces

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521161
    • English
    • 1972
    • pictorial area: Height: 9.625 inches (24.448 cm) | Width: 7.750 inches (19.685 cm) overall: Height: 16.500 inches (41.91 cm) | Width: 21.000 inches (53.34 cm)

    Intaglio print, Stürmermaske, created by Lea Grundig in 1936 in Nazi Germany. It is number 4 from the series, Der Jüde ist schüld. The title refers to Der Stürmer, a pro--Nazi, virulently antisemitic newspaper published by Nazi Party member, Julius Streicher. Its slogan was "Die Juden sind unser unglucic" (The Jews are our misfortune). Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistanc...

  6. Buy Gas Masks! War Threatens Drypoint etching by Lea Grundig of people caught in a gas attack

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521157
    • English
    • 1973
    • pictorial area: Height: 9.750 inches (24.765 cm) | Width: 13.000 inches (33.02 cm) overall: Height: 16.750 inches (42.545 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, Kauft Gasmasken!, created by Lea Grundig in Nazi Germany in 1936. This is number 3 from the series, Krieg Droht. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released and left fo...

  7. Thus It Will Be 1 War Threatens Drypoint etching by Lea Grundig of lifeless figures spread over the earth

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521156
    • English
    • 1936
    • pictorial area: Height: 9.750 inches (24.765 cm) | Width: 13.125 inches (33.338 cm) overall: Height: 16.750 inches (42.545 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, So wird es sein I, created by Lea Grundig in 1936 in Nazi Germany. It is number 11 from the series, Krieg Droht. It depicts an apocalyptic landscape scattered with dead and dying human figures. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two ye...

  8. Krieg Droht Drypoint etching by Lea Grundig of a white draped figure running during an aerial attack

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521155
    • English
    • 1936
    • pictorial area: Height: 9.625 inches (24.448 cm) | Width: 7.125 inches (18.097 cm) overall: Height: 17.500 inches (44.45 cm) | Width: 13.250 inches (33.655 cm)

    Intaglio print, Angst, created by Lea Grundig in 1936 in Nazi Germany. It is number 2 from the series, Krieg Droht. It features a woman covered in a white cloth, running in a dark landscape with large black birds and airplanes above. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason...

  9. Interrogation Drypoint etching by Lea Grundig of a man threatened by the hands of unseen people

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521154
    • English
    • 1936
    • pictorial area: Height: 13.000 inches (33.02 cm) | Width: 9.750 inches (24.765 cm) overall: Height: 21.250 inches (53.975 cm) | Width: 16.625 inches (42.228 cm)

    Intaglio print, Verhor, created by Lea Grundig in 1936 in Nazi Germany. This is number 23 from the series, Unterm Hakenkreuz. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released and left for P...

  10. Downfall Drypoint etching by Lea Grundig of a people being pushed off a cliff

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521153
    • English
    • 1972
    • pictorial area: Height: 13.000 inches (33.02 cm) | Width: 9.750 inches (24.765 cm) overall: Height: 21.000 inches (53.34 cm) | Width: 16.625 inches (42.228 cm)

    Intaglio print, Untergang, created by Lea Grundig in 1936 in Nazi Germany. This is number 10 from the series, Krieg Droht. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released and left for Pale...

  11. He will free himself Drypoint etching by Lea Grundig of a man wrapped in rope up to his neck

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521152
    • English
    • 1936
    • pictorial area: Height: 10.500 inches (26.67 cm) | Width: 9.750 inches (24.765 cm) overall: Height: 21.000 inches (53.34 cm) | Width: 16.625 inches (42.228 cm)

    Intaglio print, Er wird sich befreien, created by Lea Grundig in 1936 in Nazi Germany. It is number 20 from the series, Unterm Hakenkreuz. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released a...

  12. Kneeling Prisoner Drypoint etching by Lea Grundig of a bound naked prisoner on his knees

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521151
    • English
    • 1934
    • pictorial area: Height: 9.625 inches (24.448 cm) | Width: 9.750 inches (24.765 cm) overall: Height: 20.875 inches (53.023 cm) | Width: 16.625 inches (42.228 cm)

    Intaglio print, Knieender Gefangener, created by Lea Grundig in 1935 in Nazi Germany. From the series, Der Jüde ist Shüld, it depicts a nude male prisoner on his knees. Grundig's husband Hans said the image represents a Jewish man who owned a small cigar store on Strehlener Street. Signs with the word "Jew" were placed on his store, and no one would shop there, even those who did not support the anti-Jewish boycott, because they were scared. A World War I hero, the man was taken away, presumably by the Nazis, and killed. Lea Grundig and her husband, Hans, were dedicated Communists who creat...

  13. Jew's Alley Under the Swastika Drypoint etching by Lea Grundig of a woman watching children play

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521149
    • English
    • 1934
    • pictorial area: Height: 9.625 inches (24.448 cm) | Width: 12.875 inches (32.703 cm) overall: Height: 16.375 inches (41.593 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, Judengasse, created by Lea Grundig in 1934 in Nazi Germany. This is a print in the protest series, Unterm Hakenkreuz. It depicts a woman watching children play and Orthodox Jewish men crossing Jew's Alley in Dresden. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason ...

  14. Drypoint etching by Lea Grundig of an isolated figure staring at a building

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521165
    • English
    • 1973
    • pictorial area: Height: 9.750 inches (24.765 cm) | Width: 13.000 inches (33.02 cm) overall: Height: 16.500 inches (41.91 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, Illegal, created by Lea Grundig in 1936 in Nazi Germany. This is from the series, Unterm Hakenkreuz. It depicts a forelorn figure in a barren cityscape. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In Dec...

  15. War Threatens Drypoint etching by Lea Grundig of a frightened crowd watching storm clouds

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521163
    • English
    • 1936
    • pictorial area: Height: 9.750 inches (24.765 cm) | Width: 10.125 inches (25.718 cm) overall: Height: 16.375 inches (41.593 cm) | Width: 21.125 inches (53.658 cm)

    Intaglio print, Krieg Droht!, created by Lea Grundig in 1935 in Nazi Germany. It is number 1 from the series, Krieg droht. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and sentenced to two years in the Dresden Gestapo prison. In December 1939, Lea was released and left for Pale...

  16. Drypoint etching by Lea Grundig of a Jewish family under attack

    1. Lea Grundig collection
    • United States Holocaust Memorial Museum
    • irn521150
    • English
    • 1935
    • pictorial area: Height: 9.750 inches (24.765 cm) | Width: 13.000 inches (33.02 cm) overall: Height: 19.750 inches (50.165 cm) | Width: 25.625 inches (65.088 cm)

    Intaglio print, Pogrom, created in by Lea Grundig in 1935 in Nazi Germany. It is number 5 of 75, in the series Der Jüde ist schüld. It depicts a young boy, standing terrified and protective, in front of a huddled family group. Lea Grundig and her husband, Hans, were dedicated Communists who created anti-Fascist works documenting and protesting conditions under Nazi rule in Dresden. Such works were prohibited under Hitler and the Nazi regime. Lea, 30, was arrested for her resistance art in 1936, but released. She continued working as an artist and was arrested in 1938 for high treason and se...

  17. Theresienstadt ghetto-labor camp scrip, 5 kronen note

    1. Ronald W. Schonfeld collection

    Theresienstadt scrip, valued at 5 (funf] kronen acquired there by Rene W. Schonfeldt, 12, when he was a prisoner in Theresienstadt (Terezin) ghetto-labor camp from September 1944-May 1945. The ghetto currency was distributed from May 1943, and Rene saved one of each denomination: 1, 2, 5, 10, 20, 50, 100. The scrip was issued to create a false appearance of normalcy in the camp. There was nothing to obtain with the scrip. Soon after Hitler came to power in Germany in 1933, Rene's parents Hans and Hanna fled Berlin with their infant son to Hilversum, Netherlands. In May 1940, Germany occupie...

  18. Theresienstadt ghetto-labor camp scrip, 10 kronen note

    1. Ronald W. Schonfeld collection

    Theresienstadt scrip, valued at 10 (zehn) kronen acquired there by Rene W. Schonfeldt, 12, when he was a prisoner in Theresienstadt (Terezin) ghetto-labor camp from September 1944-May 1945. The ghetto currency was distributed from May 1943, and Rene saved one of each denomination: 1, 2, 5, 10, 20, 50, 100. The scrip was issued to create a false appearance of normalcy in the camp. There was nothing to obtain with the scrip. Soon after Hitler came to power in Germany in 1933, Rene's parents Hans and Hanna fled Berlin with their infant son to Hilversum, Netherlands. In May 1940, Germany occupi...

  19. Theresienstadt ghetto-labor camp scrip, 20 kronen note

    1. Ronald W. Schonfeld collection

    Theresienstadt scrip, valued at 20 (zwanzig) kronen acquired there by Rene W. Schonfeldt, 12, when he was a prisoner in Theresienstadt (Terezin) ghetto-labor camp from September 1944-May 1945. The ghetto currency was distributed from May 1943, and Rene saved one of each denomination: 1, 2, 5, 10, 20, 50, 100. The scrip was issued to create a false appearance of normalcy in the camp. There was nothing to obtain with the scrip. Soon after Hitler came to power in Germany in 1933, Rene's parents Hans and Hanna fled Berlin with their infant son to Hilversum, Netherlands. In May 1940, Germany occ...

  20. Theresienstadt ghetto-labor camp scrip, 50 kronen note

    1. Ronald W. Schonfeld collection

    Theresienstadt scrip, valued at 50 [funfzig) kronen acquired there by Rene W. Schonfeldt, 12, when he was a prisoner in Theresienstadt (Terezin) ghetto-labor camp from September 1944-May 1945. The ghetto currency was distributed from May 1943, and Rene saved one of each denomination: 1, 2, 5, 10, 20, 50, 100. The scrip was issued to create a false appearance of normalcy in the camp. There was nothing to obtain with the scrip. Soon after Hitler came to power in Germany in 1933, Rene's parents Hans and Hanna fled Berlin with their infant son to Hilversum, Netherlands. In May 1940, Germany occ...